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As some of you may understand I have been advocating with Ultima after this tiering system revision was being applied that DeMatteis's story isn't very congruent with the main Cosmology. While authors like Hickman, Ewing, and many others seem to at least follow a certain contunity with their storytelling by incorporating the works of others, that can't really be said for DeMatteis. J.M. DeMatteis usually always writes his story specific to his belief and on story that focuses on “Creation” does it really show.
Thus, this thread is intended to split J.M. DeMatteis's work from the main Marvel continuity and @Ultima_Reality will be in charge of overseeing the change in the main system rating for Marvel after this change.
J.M. DeMatteis heavily focuses on elements that he knows from his journey in life. This is a big example of his “God” character as a being that is not meant to be tied to just the comics, but a holistic fountainhead that is not tethered to just one religion though it's heavily Hindu-based. Now, J.M. DeMatteis writing is very flowery and hard to understand especially when he was experimenting more with the Cosmology. This means some interpretation can be put for these scans.
As powerful as Oblivion is and as paradoxical as he may be. He does have one superior and that superior has his weakness: Love. His superior is the being that not only radiates Love but is it. (Iceman Vol.1 #4)
Tiering: God is 0, as he is the Oneness that underlines all duality, beyond Creation and Void, contains existence and non-existence. Everything is nothing but a dream to God in all levels and he transcends the entire hierarchy into insignificance.
Example:
Divine Presence and Divine Creator also called God is the central figure in his Cosmology. A Oneness that underlines duality, precedes form, and always acts through some sort of Avatar. Literally, in Justice League Dark “Brahma-Dass” refers to God as a Magician that pulled Reality as his trick, and guess what? In Doctor Strange story they mentioned the concept of the Golden Age which surfaces across Silver Surfer, Man-Thing, and Moon Knight which in DC is mentioned several times as well. Into Shamballa literally calls God, a Magician, and that Reality is his trick, which is a shared element in his magical side of stories. Also, in an older Marvel story by DeMatteis, there's a character literally called “Shiva-Dass” as someone equal to “Brahma-Dass.”
Creation stories is exactly the same. God was unconscious then he had an urge then came everything: duality, consciousness, and Creation.
However, he makes it clear that he doesn't fully actually follow conventional things rather his heart and from Meher Baba. This is the main reason that all his work is the same across any story. He jokes around several times about editorial and how collaborators keep telling do his “own thing” and his personal “ideas.”
He literally tells us in his personal blog that he bends, twists, and makes things up that the editorial and his collaborator workaround:
Disagree: @Alonik @ProfectusInfinity @NHTkenshin2 @Roirr @BestMGQScalerEver
Neutral: @Hasty12345
Thus, this thread is intended to split J.M. DeMatteis's work from the main Marvel continuity and @Ultima_Reality will be in charge of overseeing the change in the main system rating for Marvel after this change.
J.M. DeMatteis heavily focuses on elements that he knows from his journey in life. This is a big example of his “God” character as a being that is not meant to be tied to just the comics, but a holistic fountainhead that is not tethered to just one religion though it's heavily Hindu-based. Now, J.M. DeMatteis writing is very flowery and hard to understand especially when he was experimenting more with the Cosmology. This means some interpretation can be put for these scans.
Worlds(Parallel Universes/Dimensions):
In the Cosmology, Creation is split into levels or layers on different planes of existence. The most obvious one is the material plane/world in which Zenn-La is a prime example of a primary level of reality, a materialistic world that is an illusion to the higher realms. (Silver Surfer Vol.3 #140)- There are infinity of universes across the Macrocosmos(another word for the whole of the Multiverse). (Silver Surfer Vol.3 #142)
- The smallest aspect of Reality is the opposite of the Macrocosmos is called the Microcosmos/Sub-Atomica though intra-Universal continuum can access the Equiverse. (Silver Surfer Vol.3 #143)
- Beneath the physical plane of Reality is a plane of Quantum energy, a world connect to the Nexus and a focal point to many worlds. (Silver Surfer Vol.3 #141)
- Each dreamed folded upon another dream, each world as just thoughts in a larger thought, and each containing smaller thought repeating ad infinitum. (Silver Surfer Vol.3 #140)
- Each Dream is just a dream of another and that each Reality has more skin than a snake, a new skin becomes a new dream, that becomes another illusion pushing down layers and layers of Dream a the lineage of men digs deeper in the illusion and all infinite dreams contained within the Creator’s dream. (Man-Thing Vol.3 #7)
- Each Reality described as a holograms and the number of realities as infinite holograms folded with another on different level of consciousness. (Silver Surfer Vol.3 #141)
Higher Realms(Subtle and Mental):
These realms are higher aspect of Reality and just like the previous mirror layers within the dream. As everything is a dream within a larger dream counting up as there are spiritual path. (Silver Surfer Vol.3 #135)- In this level of Reality beyond the mortal plane of Existence(Gross) you’re in realms of entire thoughts where matter is rather energy and the mind can compose of many powerful feats. (Silver Surfer Vol.3 #137)
- On a subtle level layers of the Implicate Theory all time and moments simultaneously exist across the Quantum layers of Reality. (Silver Surfer Vol.3 #139)
- Astral Planes that can convey journeys across the Nexus. To places of pure mind and some even to spiritual existence where all Souls turn to the sublime Oneness that underlines duality. Entire Heaven and more where Souls are our energy only looking to God and as many Heavens as there are spiritual paths.
- Chtohn realm exists as a place beyond place and in time beyond time. Where he is understood as the underbelly of Creation and concepts alike merely starch the surface of this immense being. (Doctor Strange: Sorcerer Supreme Vol.1 #90)
- That even in these realms would you find worlds in grains of sand, skins of layers of dreams unfolding endlessly, with infinity at the palm of your hand, and heaven in a flower bloom(reference to Auguries of Innocence by William Blake). (Marc Spector: Moon Knight Vol.1 #33)
Nexus of Reality:
The interconnect point of Creation also known as the OM point. Which links all worlds, universes, and dimensions existing on every level of Creation. Its destruction would also be catastrophic since that destruction will lead into all of the layers of Creation to collapse. (Spider-Man Annual 1999)- The Flordia Marshlands in the key of the Nexus as the guardian: Man-Thing guards it. The place exists between now and then, past and future, existence and non-existence. This is because Man-Thing was originally and consciously Ted Sallis until in possession of the first man in the lineage of men: Adam K’ad-Mon whom is the Father of the Dreamer as oppose to the Mother: Cleito(He was born from her loins as they are intertwined as oversee the Dream) and later Ellen Sallis. Adam is the ancient father of the Fallen Star and is the sole guardian of the truth he shared in union with Ellen as a union beyond conception. Even having a powerful child name Job Burke whose could reshape the Nexus and possibly the entire Dream. (Man-Thing Vol.3 #4)
- It’s figuratively described as the Soul of Creation itself. That if the Scrier or his minion gets control of it then all the dreams of the Dream of Creation and all its levels would be controlled by the user become Omnipresent and all powerful. The powerful pull and collapse of the Nexus could undo everything in Existence and fall back into Oblivion cosmic sea of nothing. (Spider-Man Annual 1999)
- The shattered Nexus threaten all levels of existence and all the worlds connected to it. Even a piece of it gleamed so bright it created a shrinking city that seemed like Heaven and could eternally be supported by just a fragment. (Strange Tales Vol.4 #1)
- The Nexus is also described as a doorway with each door opening into a myriad of potential possibilities. (Daydreamers Vol.1 #2)
The Illusion/Dream/Creation(Eternity, Maya, Cleito):
All of Creation or the whole of Reality is nothing more than an illusion dreamed by the Creator, hirself. That all levels of Reality is a progression to realize that the Dream and the Dreamer are one and the same with God, in our own essence is that we are God. Creation takes form depending on the specific story, but they’re all “Illusions.” (Silver Surfer Vol.3 #139)- Maya: Maya is the Queen of Illusions and the embodiment of the Illusion itself. She's toys and prances with people to be live in her illusive tricks to preserve her existence. She's afraid of the Golden Age that the Lords of Shamballa are trying to let other ascends to as all will fall into Oblivion for that to happen. She will play tricks to deceive anyone and is the female Cosmos embodiment of deceitfulness. (Marvel Graphic Novel: Doctor Strange: into ShambalIa #26)
- Eternity: Eternity is a male embodiment of the Cosmos itself. He's described as the total encompassing body of Creation itself seeing all his inner workings as just pieces of his thought. When Dormmamu managed to beat him and usurp his position, he became pretty much Omnipotent, Omniscient, and Omnipresent. Becoming the very conscious Cosmoa itself and all his vast level of Reality. (Defenders Vol.3 #2)
- Cleito: The Atlantian Queen of Neptune. Though her origin story and power are far greater. She is the great mother of the Dreamer and the wife of the first man: Adam K’ad-Mon. From her loins did the first man come as the originator of the song of Creation which is almost as old as the Book and the Staff. Her powers far exceed the other Fallen Stars and lure people into endless tales of illusions with her captivating beauty. She's known as the female aspect of God as opposed to Adam being the male representation. (Man-Thing Vol.3 #8)
- The Creator hirself after awakening itself to learn again of hirself decided to Dream of Creation as a dream after an endless slumber of its own unconscious(the Void/Oblivion). When it does it forms duality: Light and Darkness, Life and Death, Love and Hate, Male and Female, etc…The Creator hirself brought forth the staff of Creation and from that staff of Light did Creation take form and shape. When it did that formed the Fallen Stars embodying their divine thoughts in the drama play of Creation. The Book entails Creation since its beginningless beginning, the Staff being older and more powerful than the Fallen Stars, and Oneness birthing duality and dreaming of it. The Fallen Stars being thoughts and emotions embodied can see through the veils of illusion and are not subjected to Creational laws. (Man-Thing Vol.3 #2)
Oblivion(The Void/Sea of Nothing/God’s Unconscious):
Oblivion is the Void personified as the breath between life and death, death and rebirth, and all of the Creation cycle. He isn't lord of Darkness or Chaos, but non-being itself as the Void that preceded Creation and where all Creation will return and drown to when it is time for the Creator to sleep. He's true form is non-existence itself and gazing upon would erase anyone. The formless sea of nothing created an aspect of God that made infinity have a limit and formless to have form. (Iceman Vol.1 #3)- Oblivion represents total nothingness as he embodies the concept of non-existence where the Dream was made when God dreamed of it all. He’s beyond the Scrier, Galactus, Maya, and all those who haven't reached True Reality. Even the Scrier feared the total annihilation of everything that Oblivion represent. (Mighty Thor Annual #1)
- Oblivion is stated to be incapable of entering the Multiberse without causing catastrophe especially since to reach the Golden Age of humanity then the Universe would drown in fire, in the Mahapralaya into Oblivion. Even the Amasteu-Mimaboshi the Japanese god of chaos and evil during the Chaos War event is just a small glimpse of the infinity he is and even the Scrier, the Other, and Galactus war was said to be greater with Oblivion watching without worry or concern. (Iceman Vol.1 #4)
As powerful as Oblivion is and as paradoxical as he may be. He does have one superior and that superior has his weakness: Love. His superior is the being that not only radiates Love but is it. (Iceman Vol.1 #4)
God(Divine Creator/The Dreamer):
God or the Creator is the Oneness behind all things in Creation and the cosmic emptiness from which Self is the consciousness of its true power. That all of Creation is nothing but a dream to the Creator and Oblivion is simply an aspect of god as is anything in Creation. He is the Dream and the Deamer, Plan and Planner, Trick, and Trickster, and is beyond all illusions as the sole being that truly exists and only him alone. That everyone is God just living in the Dream. (Marvel Graphic Novel: Doctor Strange: Into Shamballa #26)Tiering: God is 0, as he is the Oneness that underlines all duality, beyond Creation and Void, contains existence and non-existence. Everything is nothing but a dream to God in all levels and he transcends the entire hierarchy into insignificance.
Reasoning for the split:
J.M. DeMatteis takes his inspiration and route from a Hindu Cosmology which isn't related to Judaism much less the mystical side of Judaism: Kabbalah as the Four Worlds have no correlation in Matteis. Al Ewing structures Cosmology as narrative layers as opposed to dream layers and the level of consciousness. His God design is literally based on Adi Shankara's view of Nirguna Brahman and the Advaita Vedanta school of teaching where Creation is an illusion and that there's a non-dual being as the true reality from which Creation emanates through Maya.- The main Cosmology is based on the mystical teaching of Kabbalah. J.M. DeMatteis is purely Hinduism as he said the only character from Kabbalah is “Adam K’ad-Mon” which we see that the Primordial Man in Ewing Cosmology is Adam Brasher has much contrast to the former. One’s the archetype for Creation to come while the other is the progenitor of the lineage of men and the guardian of the Nexus in the Flordian swamps.
- Creation in Ewing Cosmology is a narrative based on Keter(Assiyah) being the final part of the lowest hierarchy. The Divine Creator is meant to be the Paraatma/Parabrahman equivalent which the One Above All isn't the Ein Sof equivalent. Even then Ein Sof and Brahman are not the same beings and from different teachings with different perspectives on the Universe. Kabbalah rejects the teaching that humans are God living in his own creations since that's blasphemous to them.
- J.M. DeMatteis bases his story always the same and introduces characters that are incongruent or completely ignored by anyone else. Hence why he never even refers to “One Above All” as a name especially since that said “person” is not actually ineffable, immutable, or unsurpassable.
- The Fallen Star fits nowhere since they can't even work in conjunction with the One Above All or else they scale above the entire hierarchy except for the House if we were to introduce them in the main Cosmology.
- The basis of Creation in J.M. DeMatteis is not the reincarnation of Creation embodied by Firmaments. Rather it would always come and will end at the end in MahaPralaya and those who do strip the veils hiding the True Creator’s face would ascend into a Golden Age, which is not universally shared by the main Cosmology. The only similarity in that part is the Mystery is a journey to unveil God’s face but Ein Sof is not the same as the Oversoul concept that all Souls are God living in his dream and return into his Oneness and back throughout countless reincarnations until all Souls ascend. This is a completely different view from Kabbalah.
- Cleito and Adam K’ad-Mon’s relation isn't at all evident in the main Cosmology, much less Job Burke being completely ignored as the next person to have the power to become the Divine Dreamer. The Nexus also is a focal point and treated as the OM point which has somehow not made it in the main Cosmology. Other than some old Uncanny X-Men comics with Jean entering the White Hot Room and learning that the M’Kraan Crystal is a Nexus of All Reality and later said to contain the dwelling place of the Phoenix, which was then changed as the White Hot Room is a transcendental plane and the healing medicine of the Universe.
- The One Above All has an alter ego of the One Below All contradicts the nature of God as a being that's Love itself.
- The origin story starts with God forming an aspect called the Creator in his dream creating duality, and letting his souls have limits from their original existence where they're one with God. This has nothing to do with the main Cosmology.
- Oblivion is directly the mind of God specially his unconsciousness that relies on the Creator as the being that contains existence and non-existence. He is uncreated, eternal, and not subjected to the laws of the Universe unlike Hickman's depiction of end-of-time Nihilism that is opposed by the Tribunal judgment.
- Maya fits nowhere unless we consider it Eternity's female counterpart but such concepts aren't introduced in most of the main story.
- Illusion or the main Reality is just a level of consciousness as such Gross, Sutble, and Mental Planne which is not all presented as the main source of leveling in Creational hierarchy in the main Cosmology.
- Also, God is independent of everything hence why he would receive 0 which can't happen if he's one and the same with the One Above All.
- The concept of the Quantum Sea or the Ocean of Dreams is the collective unconscious capable of making dreams of the entire hierarchy below doesn't fit well with the main Cosmology.
- J.M. DeMatteis takes his works from the teaching of the spiritual avatar, Meher Baba. Ewing doesn't at all base or elude such figures given he either doesn't know him or he doesn't use his teaching.
- The idea that God is unconscious and not interactive but only through Maya, illusions, and his avatars of ages doesn't really link with the One Above All.
- God being used as a Magician was a nice analogy that depicts that he made Reality as his trick and all forms of illusion while the One Above All demiurgic fires near the primordial time have no effect on being like the Mother of Horrors.
- Every Soul being God is a major part of the story. That everyone in their core essence is God just living in the dream and being ignorant of it. Which isn't how Kabbalah works.
- This is true but it holds no real value. For example, his stories in DC like Green Lantern, Spectre, and Larfleeze clearly, the events that transpired are mentioned outside his own stories. Yet, we takes his view of the Cosmology over small things like this.
Example:
Divine Presence and Divine Creator also called God is the central figure in his Cosmology. A Oneness that underlines duality, precedes form, and always acts through some sort of Avatar. Literally, in Justice League Dark “Brahma-Dass” refers to God as a Magician that pulled Reality as his trick, and guess what? In Doctor Strange story they mentioned the concept of the Golden Age which surfaces across Silver Surfer, Man-Thing, and Moon Knight which in DC is mentioned several times as well. Into Shamballa literally calls God, a Magician, and that Reality is his trick, which is a shared element in his magical side of stories. Also, in an older Marvel story by DeMatteis, there's a character literally called “Shiva-Dass” as someone equal to “Brahma-Dass.”
Creation stories is exactly the same. God was unconscious then he had an urge then came everything: duality, consciousness, and Creation.
- We have Oblivion describing Creation as coming from him and will return to him. Kind of weird since that's the exact description of the Sea of Brahma. Also, Mahapralaya and Pralaya have been referenced in both stories in the same manner: the dissolution of the Universe.
- In Shamballa, Stephen Strange mentions Krishna's flute that will bring about Sleep. This idea was part of the “Night of Brahma” storyline in Doctor Fate, a vampire named Andrew Bennet played it to bring about Mahapralaya. Also, mentioned again in the Last One about the Krishna flute. The older story involving Shiva-Dass mentions the same flute as well. The weird thing is his Strange and Fate stories were almost released near each other in publication and that's not to mention that he was employed by both companies and went back and forth with his scripts between the companies.
- Maya is in both companies. The same logic, the same name, and the same premise.
DeMatteis Thoughts:
I've talked with DeMatteis for a while and read a lot of his ideas from his personal blogs, interviews, and even statements across social media. It was never my intention to ask anything “VSBW” related.However, he makes it clear that he doesn't fully actually follow conventional things rather his heart and from Meher Baba. This is the main reason that all his work is the same across any story. He jokes around several times about editorial and how collaborators keep telling do his “own thing” and his personal “ideas.”
He literally tells us in his personal blog that he bends, twists, and makes things up that the editorial and his collaborator workaround:
There was no ego involved when Keith and I worked together. The basic plots, the rock-solid building blocks of our stories, were all Giffen—but I had the freedom to bend and twist those stories any way I chose. Someone else might have taken offense—“How dare you alter my brilliant creative vision?!”—but Keith always encouraged me to follow my muse, adding new plot-lines and character bits via the narration and dialogue. He, in turn, would build on what I’d done, always surprising me with his extraordinary leaps of imagination. It was, as I’ve often said, like a game of tennis: We’d hit the ball back and forth, and, as we played, the stories evolved into something more than either of us could have ever achieved on our own.
In l987, Keith Giffen and I revamped the character of Dr. Fate for a mini-series and then, some months later, I continued the story in an ongoing series, wonderfully illustrated, with both humor and humanity, by Shawn McManus. It’s a rare occasion when you can work on a preexisting DC or Marvel character and be allowed to completely stamp it with your own unique, and very personal, vision, but that’s what I got to do with Dr. Fate— weaving together the supernatural, sit-com silliness, superhero action, romance, Eastern philosophy, infantile toilet jokes and Serious Musings On The Nature Of Existence. Not an easy mix, but Shawn always met, and often transcended, whatever visual challenges I threw his way. If this was a combined list, Fate might be sitting right behind Moonshadow and Brooklyn Dreams at the top.
I wrote my script from Dan’s layouts, but I was free to change things, make shifts, as I went along. Dan recently unearthed lots of material that he’d saved and found some of my ownlayouts—and I use the term loosely!—that I’d do if, in the writing, my script deviated from what Dan had already done. This way he had a sense of what I was seeing in my head as I was writing. I also added some art notes to the script itself, something I’d forgotten until Dan showed me the old pages.
One of the things that fascinates me about Strange is that his story is first and foremost a spiritual one. It’s hidden behind magic spells, other dimensions and visual pyrotechnics, but Stephen Strange was a broken man who found redemption at the feet of an Eastern spiritual master. You can't get more overtly spiritual than that! That aspect of the character was sometimes lost and I wanted to do a story that put the emphasis squarely on the spiritual, while still giving the readers a big, cosmic adventure that addressed the mystical side of life and the inner journey that we’re all on, as individuals and as a planet. Dan shared many of the same goals and had other elements that were important to him and the final story was a blend of our two visions. As for how we put the book together…
Agree: @Antvasima @VeryGoofyToddler @Elizio33 @DarkDragonMedeus @RigelBR7 @Hirotoswnn1x @Trigger @Eseseso @The_2nd_Existential_Seed @Yokoahh5743Some people see comics as movies on paper. I never have. I think comics is a unique form that embraces film, poetry, music and prose. The form can be anything we want it to be. I especially wanted to explore the line between prose and comics: telling a story with the pure visual impact we expect from the form, but also using prose to dive deeper, expand the storytelling out in ways that traditional comics storytelling can’t. I was doing something similar with Moonshadow, which I was writing at the same time I was writing Shamballa. ( In fact Dan and Jon J Muth were sharing a studio at the time.)
Disagree: @Alonik @ProfectusInfinity @NHTkenshin2 @Roirr @BestMGQScalerEver
Neutral: @Hasty12345
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