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tbh wasn't nasu being moderated by a team when he was writing masterpieces like tsukihime and garden of sinners?Shiki is complex, I can't think of any way of denying this.
But the way Nasu uses and develops this complexity is the unique thing in KNK. At least in my opinion, she's used not exactly as a protagonist, in a way, even though the story is about her. It's like science fiction using robots to question about humans and humanity. A character that is different enough that it is something apart from humans while being a human - add to that the inherent existential search for meaning of a character that lacks the very "directional impulse" that gives it existence meaning, but somehow was awoken and forced to exist.
Her depth in a certain way is = how deep you allowed itself to question your own existence. How far are you willing to question this "Garden of Sinners" that is human civilization.
Nasu does make some really ??????????? dialogues sometimes, but when you are actually willing to engage with the questions proposed, you can see they are actually very meaningful. The best example of this in my opinion will always be Kokotou & Tohko "licenses and contracts"
KNK is Nasu's open question of "What are Humans? What Humans do?", the story is there to hide it in plain sight. It's expected, given he graduated Human Sciences, in a way.
tbh one of the reasons nasuverse is powerful because it is so massive. It is way larger then shinza and umineko combined and draws from a heck load of philosophy and science fiction. If Msada/umineko got to grow bigger as a franchise they would probably surpass nasuverseBoth are kinda snorefest materials. Especially DkD. So boring and made solely for battleboarding.