- 6,195
- 16,478
The Dreamlands being the "deeper universe" described in Hypnos is a pretty bizarre conclusion to make when every story in which they feature depicts them as being pretty much a regular 3-dimensional reality that functions largely the same as the waking world (Go read any part of The Cats of Ulthar or The Other Gods or The Dream-Quest to Unknown Kadath for proof). In contrast, the realm that Hypnos and his friend ventured into is explicitly impossible to speak of in any real detail specifically because the experiences they had while in there don't remotely resemble anything in the material world:
In fact Through the Gates of the Silver Keys directly tells us that "the world of men and of the gods of men" is part of the 3-dimensional phase of reality. "The gods of men" in this case being the Great Ones who live in the Dreamlands:
The Ultimate Abyss being something different from the Court of Azathoth is likewise pretty obviously wrong when you consider that The Dreams in the Witch-House flat-out refers to the latter as the Ultimate Void:
With Dream-Quest following suit:
And in The Whisperer in Darkness it is stated to be "the uttermost Outside."
"Outside," in this case, referring to the archetypal realms beyond the First Gate, which are beyond time and change and form the basis for everything in the dimensioned, "inner" world.
Which conforms to how the Ultimate Abyss is described as "the last, utter sweep" of all existence:
So they are pretty obviously the same shit.
Of our studies it is impossible to speak, since they held so slight a connexion with anything of the world as living men conceive it. They were of that vaster and more appalling universe of dim entity and consciousness which lies deeper than matter, time, and space, and whose existence we suspect only in certain forms of sleep—those rare dreams beyond dreams which come never to common men, and but once or twice in the lifetime of imaginative men
In fact Through the Gates of the Silver Keys directly tells us that "the world of men and of the gods of men" is part of the 3-dimensional phase of reality. "The gods of men" in this case being the Great Ones who live in the Dreamlands:
The world of men and of the gods of men is merely an infinitesimal phase of an infinitesimal thing—the three-dimensional phase of that small wholeness reached by the First Gate, where ’Umr at-Tawil dictates dreams to the Ancient Ones.
The Ultimate Abyss being something different from the Court of Azathoth is likewise pretty obviously wrong when you consider that The Dreams in the Witch-House flat-out refers to the latter as the Ultimate Void:
The passage through the vague abysses would be frightful, for the Walpurgis-rhythm would be vibrating, and at last he would have to hear that hitherto veiled cosmic pulsing which he so mortally dreaded. Even now he could detect a low, monstrous shaking whose tempo he suspected all too well. At Sabbat-time it always mounted and reached through to the worlds to summon the initiate to nameless rites. Half the chants of the Sabbat were patterned on this faintly overheard pulsing which no earthly ear could endure in its unveiled spatial fulness. Gilman wondered, too, whether he could trust his instinct to take him back to the right part of space. How could he be sure he would not land on that green-litten hillside of a far planet, on the tessellated terrace above the city of tentacled monsters somewhere beyond the galaxy, or in the spiral black vortices of that ultimate void of Chaos wherein reigns the mindless daemon-sultan Azathoth?
With Dream-Quest following suit:
Kuranes, clad in a dressing-gown of the sort favoured by London tailors in his youth, rose eagerly to meet his guest; for the sight of an Anglo-Saxon from the waking world was very dear to him, even if it was a Saxon from Boston, Massachusetts, instead of from Cornwall. And for long they talked of old times, having much to say because both were old dreamers and well versed in the wonders of incredible places. Kuranes, indeed, had been out beyond the stars in the ultimate void, and was said to be the only one who had ever returned sane from such a voyage.
And in The Whisperer in Darkness it is stated to be "the uttermost Outside."
“There are four kinds of instruments here, Wilmarth,” whispered the voice. “Four kinds—three faculties each—makes twelve pieces in all. You see there are four different sorts of beings presented in those cylinders up there. Three humans, six fungoid beings who can’t navigate space corporeally, two beings from Neptune (God! if you could see the body this type has on its own planet!), and the rest entities from the central caverns of an especially interesting dark star beyond the galaxy. In the principal outpost inside Round Hill you’ll now and then find more cylinders and machines—cylinders of extra-cosmic brains with different senses from any we know—allies and explorers from the uttermost Outside—and special machines for giving them impressions and expression in the several ways suited at once to them and to the comprehensions of different types of listeners. Round Hill, like most of the beings’ main outposts all through the various universes, is a very cosmopolitan place! Of course, only the more common types have been lent to me for experiment.
"Outside," in this case, referring to the archetypal realms beyond the First Gate, which are beyond time and change and form the basis for everything in the dimensioned, "inner" world.
After an impressive pause the waves continued, saying that what the denizens of few-dimensioned zones call change is merely a function of their consciousness, which views the external world from various cosmic angles. As the shapes produced by the cutting of a cone seem to vary with the angles of cutting—being circle, ellipse, parabola, or hyperbola according to that angle, yet without any change in the cone itself—so do the local aspects of an unchanged and endless reality seem to change with the cosmic angle of regarding. To this variety of angles of consciousness the feeble beings of the inner worlds are slaves, since with rare exceptions they cannot learn to control them. Only a few students of forbidden things have gained inklings of this control, and have thereby conquered time and change. But the entities outside the Gates command all angles, and view the myriad parts of the cosmos in terms of fragmentary, change-involving perspective, or of the changeless totality beyond perspective, in accordance with their will.
Which conforms to how the Ultimate Abyss is described as "the last, utter sweep" of all existence:
In the face of that awful wonder, the quasi-Carter forgot the horror of destroyed individuality. It was an All-in-One and One-in-All of limitless being and self—not merely a thing of one Space-Time continuum, but allied to the ultimate animating essence of existence’s whole unbounded sweep—the last, utter sweep which has no confines and which outreaches fancy and mathematics alike. It was perhaps that which certain secret cults of earth have whispered of as YOG-SOTHOTH, and which has been a deity under other names; that which the crustaceans of Yuggoth worship as the Beyond-One, and which the vaporous brains of the spiral nebulae know by an untranslatable Sign—yet in a flash the Carter-facet realised how slight and fractional all these conceptions are.
So they are pretty obviously the same shit.
Last edited: