Like I said, I'll find quotes for Todash Darkness soon. We should be able to judge its place once we have those.
In the meantime, here's some clarification for past info on CK that I think people have been misinterpreting. Most of what we've been using for him was posted in the last thread, so I'm gonna go ahead and repost some of that stuff before explaining it.
The Crimson King's goal is literally to destroy the whole Dark Tower, but he can't because he is locked away. This cannot be anything but High 1-B.
This does not refer to the True Crimson King.
- The "Spider King" is referring to Los', who is a were-spider and.
- The "Devar" is the Devar-Toi, the area which houses all of the Old Ones technology that was gathered by the King's Warriors of the Scarlet Eye, and cannot refer to Dis/Ram Abbalah, because the latter is trapped and incapable of "making" anything physical like this, as we already know.
- The "Spider King's family" is referring to the creatures of the Prim who became trapped within Todash Darkness, and is meant to be taken literally due to him having grown up with them, and due to their ranks including the Crimson Queen, his biological mother. He was raised around those creatures, and his own mother was among them, which is why he considers them his "family". Hell, Maerlyn considered the creatures of the Prim to have been his brothers and sisters as well.
- "Now the Red King wants to destroy the Tower so that he and his family can feast on the wreckage.", the key words being "wants to". He isn't capable of doing this, which is where the Devar-Toi comes in.
In essence, this scan is simply telling us what we already know; that Los' wishes to destroy the Tower, restore the Prim and free his fellow creatures, and that the Devar-Toi exists for that purpose.
:
Clotho: [Be content with this: beyond the Short-Time levels of existence and the Long-Time levels on which Lachesis, Atropos, and I exist, there are yet other levels. These are inhabited by creatures we could call All-Timers, beings which are either eternal or so close to it as to make no difference.:
Short-Timers and Long-Timers live in overlapping spheres of existence-on connected floors of the same building, if you like-ruled by the Random and the Purpose. Above these floors, inaccessible to us but very much a part of the same tower of existence, live other beings.:
Some of them are marvelous and wonderful,-others are hideous beyond our ability to comprehend, let alone yours. These beings might be called the Higher Purpose and the Higher Random... or perhaps there is no Random beyond a certain level,we suspect that may be the case, but we have no real way of telling.
We do know that it is something from one of these higher levels that has interested itself in Ed, and that something else from up there made a countermove. That countermove is you, Ralph and Lois.]
- Insomnia
["Last summer, after he beat his wife up, Ed spoke to me of a being he called the Crimson King. Does that mean anything to you fellows?"] Clotho and Lachesis exchanged another look, one which Ralph at first mistook for solemnity.
Clotho: [Ralph, you must remember that Ed is insane, existing in a delusional state-" ["Yeah, tell me about it."] "but we believe that his "Crimson King" does exist in one form or another, and that when Atropos cut his life-cord, Ed Deepneau fell directly under this being's influence.] The two little bald doctors looked at each other again, and this time Ralph saw the shared expression for what it really was: not solemnity but terror.
- Insomnia
The Crimson King is one of the beings who come from outside and beyond all the infinite higher and lower levels of existence contained by the Dark Tower, just like Gan and Bessa.
This is also not the true meaning of these quotes when placed in-context. All it is saying is that the Crimson King is from one of the higher levels outside of the Short-Time and Long-Time spheres, which in the story/reality of
Insomnia are depicted as overlapping planes within the same universe. (Covered that already) The higher levels are not "outside and beyond all the infinite higher and lower levels of the Tower", only inaccessible to the likes of Ralph, Lois and the Bald Doctors. In fact, one of these very same quotes tells us that said levels are still "very much a part of the same tower of existence".
Mia elaborates on the Long-Time planes (or "the invisible world") further, explaining that those planes rest below the Demon Elementals who exist opposite the Beam Guardians:
In
Insomnia proper, this is Ralph " stepping down" from the Long-Time level on which the Doctors exist, causing him to start losing his ability to perceive them.
As you see, him going down one level is simply him shifting from one plane to another, while remaining within the same universe. (And therefore, the same area of the Tower) Which gives a sense that the Tower itself is actually a hell of a lot bigger than we've been giving it credit for, thanks to it having numerous higher planes contained within its many "physical" floors. But that's about it.
The Red King's influence is limited by the Tower, but he has built The Big Combination/The King's Forge to help "boost" his influence::
"That thing you hear, that's the Crimson King's power plant," Burny says. He speaks with pride, but there is more than a tinge of fear beneath it. "The Big Combination."
- Black House
And in the distance - dim and baleful, its source somewhere over the horizon - a dark crimson light waxed and waned. Heart of the rose, she thought, and then: No, not that. Forge of the King. She looked at the pulsing sullen light with helpless, horrified fascination. Flex...and loosen. Wax...and wane. An infection announcing itself to the sky.
"Come to me now, if you'd come at all, Susannah of New York," said Mia. She was dressed in a heavy serape and what looked like leather pants that stopped just below the knee. Her shins were scabbed and scratched. She wore thick-soled huaraches on her feet. "For the King can fascinate, even at a distance. We're on the Discordia side of the Castle. Would you like to end your life on the needles at the foot of this wall? If he fascinates you and tells you to jump, you'll do just that. Your bossy gunslinger-men aren't here to help you now, are they? Nay, nay. You're on your own, so y'are."
Susannah tried to pull her gaze from that steadily pulsing glow and at first couldn't do it. Panic bloomed in her mind
(if he fascinates you and tells you to jump)
and she seized it as a tool, compressing it to an edge with which to cut through her frightened immobility. For a moment nothing happened, and then she threw herself backward so violently in the shabby little cart that she had to clutch the edge in order to keep herself from tumbling to the cobbles. The wind gusted again, blowing stone-dust and grit against her face and into her hair, seeming to mock her.
But that pull...fascination...glammer...whatever it had been, it was gone.
- Song of Susannah
Jack points at the ugly complication of struts and belts and girders and smoking chimneys. He points at the straining ants. The Big Combination disappears up into the clouds and down into the dead ground. How far in either direction? A mile? Two? Are there children above the clouds, shivering in oxygen masks as they trudge the treadmills and yank the levers and turn the cranks? Children below who bake in the heat of underground fires?
- Black House
This is what happens when it is destroyed:
In world upon world - in worlds strung side by side in multiple dimensions throughout infinity - evils shrivel and disperse: despots choke to death on chicken bones; tyrants fall before assassins' bullets, before the poisoned sweetmeats arrayed by their treacherous mistresses; hooded torturers collapse dying on bloody stone floors. Ty's deed reverberates through the great, numberless string of universes, revenging evil as it spreads. Three worlds over from ours and in the great city there known as Londinorium, Turner Topham, for two decades a respected member of Parliament and for three a sadistic pedophile, bursts abruptly into flame as he strides along the crowded avenue known as Pick-a-Derry. Two worlds down, a nice-looking young welder named Freddy Garver from the Isle of Irse, another, less seasoned member of Topham's clan, turns his torch upon his own left hand and incinerates every particle of flesh off his bones.
Up, up in his high, faraway confinement, the Crimson King feels a deep pain in his gut and drops into a chair, grimacing. Something, he knows, something fundamental, has changed in his dreary fiefdom.
- Black House
A ripple of evil occurs across every world in every universe and dimension of the Dark Tower, reaching up to the highest floor where the true Crimson King is trapped, and he feels it too.
This is, again, unarguably High 1-B.
Actually, this is, again, another instance that is in reference to Los',
not the Abbalah.
As mentioned before, the "True" King cannot build anything, because he is trapped atop the Tower. Much like everything else in the Devar-Toi, the Big Combination is repurposed Old Ones tech engineered by Los' and his forces, and in this case, it's being used to boost the range and scale of his powers. Which is not an AP feat for Los' so much as a feat of power for the tech itself, and makes plenty of sense, as their technology is already confirmed by this point to have been capable of affecting all of existence.
The being who refers to the King being able to "fascinate at a distance" is Mia, who also had this to say:
She knows nothing in regards to the True King, and can only guess at whatever entity has promised Los' a kingdom once the Tower falls. Thus, the quote about how the King "can fascinate from a distance" (which is from the same book, mind you) is referring to the only King she knows anything about.
As well, in DT7, we learn that the Crimson King had already run mad and taken leave for the Tower when Roland and co. were still in Calla Bryn Sturgis, which was all the way back in DT5:
Going by the above, the timeline of events is very clear-cut:
- Los' sees something in one of the pieces of Maerlyn's Rainbow, loses the last of his sanity and begins heading for the Tower. He ends up trapped on a balcony.
- Mia and Susannah encounter the Big Combination, prompting the latter to speak of its connection to the Crimson King.
- Tyler Marshall uses his telekinetic powers to destroy the Big Combination, with the resulting wave of mass-scale "good triumphing over evil" causing Los', who is still on the balcony ("his high, faraway confinement"), to feel in his gut that something has gone horribly wrong.
"Ka is drawing you to the Devar-toi, but a very powerful anti-ka, set in motion by the one you call the Crimson King, is working against you and your tet in a thousand ways.":
- The Dark Tower
The Crimson King has his own force that acts as the antithesis to Ka, the fate set and decreed by Gan. This means that the Crimson King can actively defy and ignore Gan's will to an extent.
Again, High 1-B.
Actually, looking back, this appears to be referring to the aforementioned Big Combination. Or something Los' is capable of while the Combination is still active.
In the very quote which describes the effects of the Combination's destruction, we see many, many instances of things simply
happening to bad people; tyrants are poisoned, torturers spontaneously combust while walking, a man accidentally torches the flesh off his own hand, and numerous other evildoers are maimed and/or killed by
circumstances at what is blatantly shown to be the exact same moment in which the Combination is destroyed. From that, we can gather that the Combination was somehow responsible for what might've been preventing ka from taking these people out already. Ergo, if the statement of a "powerful anti-ka" is referring to anything literal, it's more likely to be this than anything else.
Plus we already know that Los' can control fate to an extent anyway, as shown via what he does with Ed Deepneau in
Insomnia, which I explained in the previous thread. This onky adds to the aforementioned likelihood that Los' was using the Combination to give his abilities range and potency that they would not normally have.
:
"I'm Gan or possessed by Gan, I dont know which, maybe theres no difference." King began to cry. His tears were silent and horrible. "But its not Dis, I turned aside from Dis, I repudiate Dis, and that should be enough but its not, ka is never satisfied, greedy old ka....":
- Song of Susannah
"I'll be a vampire, a slave to him. His scribe, maybe. His pet writer."
"Whose?"
"The Lord of the Spiders. The Crimson King. Tower-pent."
- Song of Susannah
The Red King can grant authors the ability to alter reality. This gives credence that he is an entity like Gan, who is responsible for all stories.
There are a few important details that have been left out of this one.
This is the rest of the second quote, leading up to the words you see above:
Said quote comes from the point where Roland had hypnotized Stephen King in order to gain some information. The quote comes from the latter, and is referring to a moment in his past when the Crimson King attempted to kill him by sending spiders after him while he was sawing wood as a punishment. An attempt which failed (obviously) alongside many other indirect attacks that were made prior to the events of the books.
This is not Plot Manipulation, or granting an author the ability to alter reality. It's just attempted murder. Of someone who Gan had already granted said reality-altering power. And this is
also referring to Los', who we've confirmed is trapped on his balcony by the time the events of Song of Susannah (the book where this quote comes from) take place.
I think that's everything. None of the above info has much bearing on the tier of CK's true form at this point anyway, but I still felt that it needed to be addressed. And actually, some of this may serve the purpose of figuring out where to put Los' in all of this.