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Writing Discussion Thread

Ah, I assume it helps you solidify the vibes you want? Or is it to find the meanings behind certain names and match them with the characters?
Mostly find fitting names for the chars that also have a good ring to them. I know I mentioned I look around in mythology, folklore and stuff, but that can be pretty hit or miss and very time consuming. This really speeds up the process. And this is also a neat bonus, many times I did find a name with a meaning that fit the character, but didn't like how it sounded or vice-versa, found a nice sounding name but the meaning didn't fit the character at all.

Does help the Behind the name page allows you to search real names by themes, location, types and many other categories, which is what I am using the most.
 
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Alright so...

I'm gonna assume this is just an outline? Since it felt kinda odd with how many characters started randomly appearing at the last and middle parts. Like, I'm surprised Raider had any friends, let alone ones that would sacrifice their lives for him or a family he cares about. Hell, I was even more surprised that he was old enough to have a grandchild.

Also I assume the dragonoid is somewhat human-sized? Since I'm not sure how it'd be able to stab someone.

Now another thing I have an issue with is his character development. Honestly I didn't really understand how he learned his lesson from having everyone around him killed. It's not like he wasn't doing his job or deliberately sacrificed the people around him, unironically he just wasn't strong enough. At least his actions are somewhat consistent, training to get stronger, being less egoistic, and actually aiming to help people.

Lastly regarding the potential. I'm gonna assume he's gonna be some sort of mentor figure? I mean, he's pretty damn old and is training a trio of 2 boys and 1 girl. Is this gonna be the main focus or just something revealed every once in a while throughout the story?

Either way, seems cool
I redid everything in Raiders story

If you can reread it and tell me how it is, that would be appreciated

https://docs.google.com/document/d/1RE-NZUci6FkiwLp-XutQNdBqbg9xizDDz3UrL77TvZ4/edit?usp=sharing
 
Alright so...

Nice to see that he's kinda younger, this time it's his daughter that's dead. Also I do like that his relationship with his friends were developed better (And that he had a child with one of them which explains how he even had a child).

The character development makes a lot more sense this time, realizing that his strength wasn't of any use against this one enemy as well as a change in what his goals when he lost what he had are pretty good. An issue I realized though is that I wasn't sure if Mira was dead or not, she gets brought up a lot and becomes one of Raider's motivations but in the scene where he comes back, it seems to specify that both his mother and daughter are dead.

Lastly regarding potential, it seems like it's gonna be a lot harder for all of this development to be revealed on account of the group splitting at the end. I assume they're gonna reunite eventually? Since all these flashbacks seem difficult to tell from a third party
 
I'm split on this decision. Should I use powerscaling to maintain consistency of my future stories? Or should I ignore it regardless of power level consistency because I care more about writing a good story than making a bunch of godmodes?
I'll list a timestamp segment just to show why I'm split here:
3m31s-5m42s here:
 
I'm split on this decision. Should I use powerscaling to maintain consistency of my future stories? Or should I ignore it regardless of power level consistency because I care more about writing a good story than making a bunch of godmodes?
I'll list a timestamp segment just to show why I'm split here:
3m31s-5m42s here:

Okay-- as someone who doesn't care for powerscaling in stories colliding: here's the scoop

Select a tier for your cast, preferably not something over tier 8 unless that's where you want your story to go, and keep it in mind as you write, rinse and repeat for Speed and LS, beyond that, powerscaling shouldn't matter.
 
Select a tier for your cast, preferably not something over tier 8 unless that's where you want your story to go, and keep it in mind as you write, rinse and repeat for SS and LS, beyond that, powerscaling shouldn't matter.
That or make it extremely simplistic. I have a story where most of the cast are split between Low-Tiers (Mostly civilians and people with low durability), Mid-Tiers (Most of the cast is here), High-Tiers (People who are considered to be strong in-verse), and God-Tiers (There are only like, 3 people here. Reserved for the finale)
 
Thank you everyone for the feedback. I'm also trying to set guidelines for myself in using power scaling so I and potentially future people will be incentivized to create good stories than godmodes. This is for the purposes of quality control. So, how do the rules look and should there be any areas of improvement?
 
I'm split on this decision. Should I use powerscaling to maintain consistency of my future stories? Or should I ignore it regardless of power level consistency because I care more about writing a good story than making a bunch of godmodes?
I'll list a timestamp segment just to show why I'm split here:
3m31s-5m42s here:

Powerscaling matters, but only because Internal Consistency matters, not because the joules required to break fictional concrete are meaningful.
 
What's are y'alls thoughts on action scenes on the first chapter? Would it be better to add a slower pace to it? Like have the chapter explore the character typical life?
 
Do any of you have certain apps/website you use to plan a story? Would like to hear suggestions
For me, a late senior. Even a couple of years before, I still had some tools to plan an outline, like notebooks and google products like google docs.

As a poor man strat, I used google docs to make profile outlines, profiles and scripts.

This is a verse outline I use for my profiles:

Verse Profile Page Format​

Explanation​

(Top)

(Most of these sections are self explanatory unless stated otherwise or elaborated on. Every section should have correct grammar & complete sentences, with the latter minimum quantity being 1 complete sentence. Every section with an indent is optional unless necessary. Every section with bold should be filled out)
(Title)
(Picture; optional unless if the profile will be public)
“(quote (optional))”
Summary:

Rating: The intended rating of the canon in question. Note that while books and text media may be less direct in their content rating, this system can use the same rating system for Visual media to make things more simple, ore to specify an intended age range. Put “equivalent” after a visual media-based rating for doing any primarily-text media.
______________________________________________________________________________________________________________________________

History: (History of the verse be written here if it can be shortened as much as possible without sacrificing major details. Although a timeline of events can be listed in the timeline section below the history section)
Timeline
  • (Format: ([Event Name] ([Event Date]): [Event Description]))

Inspiration: (Inspiration for the continuity in question)

Main Premise: (Should be summarized in one sentence only)

Major Characters: (Characters most important to the story’s plot)

Major Plotline(s): (Plot most important to the story’s plot)
Character Development: (How your major characters develop throughout the plotlines)

Power Limitations: (The power limits that should be imposed onto the entities in the story, otherwise there’s bad or no plot/character development)

Prose: (How the sentences & words are picked & chosen to be written)

Rules & Laws: (The universal rules/laws &/or entity-imposed restrictions on the continuity)

Setting:
Culture(s): (The different types of cultures & peoples that live in the continuity)
Environment(s): (The types environments that exist across the canon)

Terminology: (The (major) continuity-exclusive terms frequently used to express it’s canon-exclusive major concepts/entities)

Theme(s): (The major theme(s) of the continuity)
______________________________________________________________________________________________________________________________

References:
  • [1] (link)
  • [2] (link)
  • etc.
Copy vvv
_________
Summary:
______________________________________________________________________________________________________________________________

History:

Inspiration:

Main Premise:

Major Characters:

Major Plotline(s):

Power Limitations:

Prose:

Rules & Laws:

Setting:

Theme(s):
______________________________________________________________________________________________________________________________

References:
  • [1] (link)
  • [2] (link)
  • etc.

_________
Copy ^^^

Sources & Ideas:
______________________________________________________________________________________________________________________________

How I do scripts is I outline short summaries of chapters/large segments, and break each of them down into smaller events. And with the smaller ones, I type a script for each.

Visual:
  • (Ch summary)
    • Ch event 1
(Script)
  • event 2
 
What's are y'alls thoughts on action scenes on the first chapter? Would it be better to add a slower pace to it? Like have the chapter explore the character typical life?
Depends on your story!

Opening with ah action scene or the end of one can reveal certain facts about either main characters, heavy hitters in future, or both. Basically, you can use it to build suspense later when certain characters match the descriptions of the people in your opening story.
 
What's are y'alls thoughts on action scenes on the first chapter? Would it be better to add a slower pace to it? Like have the chapter explore the character typical life?
It can also serve as a good initial hook for the reader. Kinda... offer them something exciting to look forward to, but also set up certain elements that will be explored later, like who is the person fighting, the powers used and how they are related to the lore, a future conflict, the enemies, etc.
 
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