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"Mindless", "Clueless" Did I catch you in a phase of aggression? And is Cosmic a** fight my only problem?
I argue the WC has more problem than the manga such as

- Shit transition of base flip

- full of plot convenience such as the cadre much up and the infamous Amai mask feat

- plot device character

- tossing drive knight character to the bin just to shoehorn cosmic Garou from temu

- solving Darkshine dilemma by some nobody who's conveniently have similar trait to him

- off screen character development and offscreen power up

- Bomb entire existence being an insult to Manga Bomb

- Bang the only one who is an actual obstacle in on Garou's plan is buried under the rubble for the entire fight

- characters who's pretty much irrelevant for 90% of the series is suddenly a big deal

- cheap drama such as
kuseno death
The mf screen time can literally count by hand and I'm suppose to feel anything?

And many more
 
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This is one of those cases where it's pretty obvious that Darkshine is stronger than Gouketsu based on the narrative, but we can't prove it because he technically doesn't have any feats that calc above Gouketsu's feats. IMO if Darkshine is a 100, Gouketsu is around 85.
What in the narrative implies Darkshine would beat Gouketsu? If anything Gouketsu is used as a benchmark specifically for how strong he is by Orochi saying that Saitama beating him and Elder Centipede got him excited.
 
What in the narrative implies Darkshine would beat Gouketsu? If anything Gouketsu is used as a benchmark specifically for how strong he is by Orochi saying that Saitama beating him and Elder Centipede got him excited.
Orochi never hyped up Gouketsu/Elder Centipede like everyone makes it out to be. He simply acknowledged that Saitama defeated those two and was a little bit surprised because Saitama obviously doesn't look very strong and he was only B-class at the time. Compared to Orochi, Gouketsu and EC are absolute fodder. Gouketsu ragdolled Suiryu who's mid-Demon level at best, then toyed with Bakuzan, who's probably the weakest Dragon level in the series. His feats aren't that impressive compared to Darkshine who regularly fought against mid to high Dragon levels throughout the MA arc.
 
Also this is off topic but I find it hilarious how some of the members here have their own AI Overview on Google.

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Anyways....

Orochi never hyped up Gouketsu/Elder Centipede like everyone makes it out to be. He simply acknowledged that Saitama defeated those two and was a little bit surprised because Saitama obviously doesn't look very strong and he was only B-class at the time. Compared to Orochi, Gouketsu and EC are absolute fodder. Gouketsu ragdolled Suiryu who's mid-Demon level at best, then toyed with Bakuzan, who's probably the weakest Dragon level in the series. His feats aren't that impressive compared to Darkshine who regularly fought against mid to high Dragon levels throughout the MA arc.
Gouketsu is most certainly not absolute fodder since Psykos thinks he could wash most of the S-Class. Also I'm pretty damn certain I've heard someone say at one point or another that he's a high tier Dragon Class threat.
 
Why does Gouketsu scale higher than Darkshine?
In a perfect world, we could use Gouketsu’s statement that several monsters in the MA are as powerful as he is to scale the stronger Cadres to him- such as Homeless Emperor and Black Sperm, to name a few- alongside Psykos’s claim that a group of S-Class heroes would give Gouketsu trouble (despite her well known tendency to downplay them). This would make Darkshine vs. Gouketsu a much closer matchup, with Darkshine possibly even being superior. Unfortunately, the wiki is unnecessarily strict in certain aspects and wouldn’t allow this line of scaling
 
Clueless "fan" fails to realize OPM is a straightforward battle manga #782743868
That's the problem. It was supposed to be a parody. The Webcomic still is.

One deserves to have his good writing be shown to the world rather than the horrendous sin that is Cosmic Garou
 
That's the problem. It was supposed to be a parody. The Webcomic still is.

One deserves to have his good writing be shown to the world rather than the horrendous sin that is Cosmic Garou
Cosmic Garou is the one good thing that came out of the manga MA arc bruh.
 
Cosmic Garou is the one good thing that came out of the manga MA arc bruh
Ha hahahhaa ******* Not.

I am not going to say it again and again. It's quite literally some of the worst writing I have seen in Manga.
 
That's the problem. It was supposed to be a parody. The Webcomic still is.
It's not in the slightest lol. All the lauded moments of both continuities are explicitly because everything is being played straight and the narrative takes itself seriously, to deny that OPM is a sincere superhero story is to reject the very same things that have made it memorable and good.

We are now deep in the Neo Heroes saga/Robot Arc, almost 20 chapters (without counting the buildup through the Neo Heroes saga) of non-stop fighting, escalation, focus on the side-cast with dramatic speeches about heroism, teamups and HA Heroes saving mind controlled Neos. What's the parody here? This is blatantly playing all the tropes straight and ONE clearly expects us to take the struggle of the cast seriously.
 
It's not in the slightest lol. All the lauded moments of both continuities are explicitly because everything is being played straight and the narrative takes itself seriously, to deny that OPM is a sincere superhero story is to reject the very same things that have made it memorable and good.

We are now deep in the Neo Heroes saga/Robot Arc, almost 20 chapters (without counting the buildup through the Neo Heroes saga) of non-stop fighting, escalation, focus on the side-cast with dramatic speeches about heroism, teamups and HA Heroes saving mind controlled Neos. What's the parody here? This is blatantly playing all the tropes straight and ONE clearly expects us to take the struggle of the cast seriously.
Very, very well said, especially that first part. I couldn't have put it much better if I tried.
 
It's not in the slightest lol. All the lauded moments of both continuities are explicitly because everything is being played straight and the narrative takes itself seriously, to deny that OPM is a sincere superhero story is to reject the very same things that have made it memorable and good.
(Question) What led you to begin drawing a web comic?

(Answer) How long have you wanted to be a manga artist? ONE: I had decided I wanted to be a gag manga artist from the time I was in grade school. I was a fan of Crayon Shin-chan, and at the time I wanted to draw that sort of manga. For me it wasn’t a case of simply trying to be a manga artist and testing the waters to see if it was worth a shot. Rather, my thought process was to decide right off the bat that I was going to be one, so the rest was just a matter of effort. I guess that’s how I decided my whole future while still just a kid.


Where did you get your ideas?

ONE: To start with I simply tried to draw the sort of manga I’d want to read myself. I’ve read loads of Shonen manga throughout my life, and am particularly fond of battle manga. Generally speaking, those types of stories are all about growth, meaning that by the last chapter, the main character has grown stronger than anyone else and lives happily ever after. So I wondered what would happen if I started the story off with the main character already in peak condition. That became my jumping-off point.

--So it’s a complete 180 from existing Shonen action manga?

ONE: Which makes it fun for people who have already read lots of those typical Shonen manga. It’s like they’ve run the first lap, and this is their second time around.



OPM became popular due to it's unique humor and comedy. Not because it's some serious battle manga.
 
Second. Even if the narrative of the Webcomic was serious (it wasn't for Saitama vs Garou, any one who says so should give up reading)

Cosmic Garou is a ******* joke in writing quality. Regardless of genre, the quality doesn't change.
 
Orochi, Psykorochi, Nyan, Sage Centipede, Evil Ocean Water, and a bunch of extra or expanded fights? I mean I don't think all of those things were good but saying all of them were bad is crazy L take.
Orochi was a generic evil boss and boring asf, Psykorochi was just gooner bait (added literally nothing to the story), Sage Centipede was just Elder Centipede 2.0 and repetitive, Evil Ocean Water was cool ngl, Nyan was meh (his powers were kinda cool but nothing crazy). Expanded fights? The Phoenix Man fight being redrawn again and again wasted so much time. I don't care how many people say that OPM is supposed to be goofy. The Penguin suit Phoenix Man was freaking stupid. Amai Mask was an absolute badass in the webcomic, but Murata decided to make him look pathetic for no reason. His only kill was taken away when Do-S came back to life because Murata is allergic to killing off hot female characters. Her resurrection served 0 purpose other than for Murata to wank to his drawings of her a few more times.

Cosmic Garou gets a pass because it wasn't just a generic DBZ style powerup and his abilities were actually unique and creative. His design is also top notch. But the webcomic version of the fight was still a thousand times better. The brilliant dialogue was sacrificed for powerscaling material.
 
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(Question) What led you to begin drawing a web comic?

(Answer) How long have you wanted to be a manga artist? ONE: I had decided I wanted to be a gag manga artist from the time I was in grade school. I was a fan of Crayon Shin-chan, and at the time I wanted to draw that sort of manga. For me it wasn’t a case of simply trying to be a manga artist and testing the waters to see if it was worth a shot. Rather, my thought process was to decide right off the bat that I was going to be one, so the rest was just a matter of effort. I guess that’s how I decided my whole future while still just a kid.


Where did you get your ideas?

ONE: To start with I simply tried to draw the sort of manga I’d want to read myself. I’ve read loads of Shonen manga throughout my life, and am particularly fond of battle manga. Generally speaking, those types of stories are all about growth, meaning that by the last chapter, the main character has grown stronger than anyone else and lives happily ever after. So I wondered what would happen if I started the story off with the main character already in peak condition. That became my jumping-off point.

--So it’s a complete 180 from existing Shonen action manga?

ONE: Which makes it fun for people who have already read lots of those typical Shonen manga. It’s like they’ve run the first lap, and this is their second time around.



OPM became popular due to it's unique humor and comedy. Not because it's some serious battle manga.
The concept of OPM's plot was a parody. That doesn't mean the story can't evolve into something more which it did VERY, very quickly. The concept of the story was a Shonen manga parody of a protagonist that's already ridiculously strong and can one-shot the antagonists. But it didn't take long to expand into a more complex narrative with actual sub-plots and characters branching out everywhere.

It became popular due to its balance of humor and serious action, as well as its cast of characters, the animation, art, and music of season 1, the art of the manga and its relatively short and consistent release schedule, and many other factors. If OPM only existed to fulfill its absolute, most basic plot concept, it wouldn't survive past 1 arc. Literally 90% of its popularity after Boros comes from the traditional Shonen manga story writing that a lot of people enjoy, MIXED with ONE's brand of humor. Why do you think people theorize about characters like Blast and God constantly? Because of the comedy??
Second. Even if the narrative of the Webcomic was serious (it wasn't for Saitama vs Garou, any one who says so should give up reading)

Cosmic Garou is a ******* joke in writing quality. Regardless of genre, the quality doesn't change.
It was serious and balanced it with comedy, just because you insult the notion doesn't mean you are right. It was the climax of Garou's arc, not meant as merely a joke, it's just that Saitama subverted some of Garou's brooding seriousness trying to be a Monster/villain with his usual brand of comedy. If you think the entire fight had a humorous tone, you genuinely need psychological counseling. Was it a joke when Garou was talking to Saitama about how becoming the Ultimate Evil will allow him to purge the unfairness of the world, such as discrimination and war? Was it a joke when Garou kept standing up and trying everything in his power to beat Saitama just to realize he will never win?

It's mediocre at worst, you're greatly exaggerating.
 
Was it a joke when Garou was talking to Saitama about how becoming the Ultimate Evil will allow him to purge the unfairness of the world, such as discrimination and war? Was it a joke when Garou kept standing up and trying everything in his power to beat Saitama just to realize he will never win?
Wow. Talk about reading comprehension. Yes it was. The whole point of that conversation was to show how naive and childish Garou is. How misguided his own motivations are.

Saitama straight up calls it what it is. ******* stupid.

 
Wow. Talk about reading comprehension. Yes it was. The whole point of that conversation was to show how naive and childish Garou is. How misguided his own motivations are.

Saitama straight up calls it what it is. ******* stupid.

That's not comedy. Are you dumb? That's called character writing you absolute buffoon. The way Saitama presents himself saying this is comedic because he's drawn like that, but the narrative of this scene and character arc is not "comedy". Holy shit.
 
It's mediocre at worst, you're greatly exaggerating.
Ah yes completing your main character entire point of struggle that being Saitama's own fleeting emotions and lack of challange while turning Garou into actual murderer just for a big shonen fight and removing the conversation from the Webcomic only to reverse it all with shitty time travel is MEDICORE at worst.

Sure.
 
That's not comedy. Are you dumb? That's called character writing you absolute buffoon. The way Saitama presents himself saying this is comedic because he's drawn like that, but the narrative of this scene and character arc is not "comedy". Holy shit.
Character writing can be comedic you ******* moron.

It doesn't have to be only one emotion. It's both catharsis and humor rolled into one that makes this such a great scene.
 
Ah yes completing your main character entire point of struggle that being Saitama's own fleeting emotions and lack of challange while turning Garou into actual murderer just for a big shonen fight and removing the conversation from the Webcomic only to reverse it all with shitty time travel is MEDICORE at worst.

Sure.
Yes. It's mediocre at worst.
 
So you agree with me? That it has humorous ELEMENTS but is still a serious scene overall? Then I accept your concession. Easy enough.
When did I ever say it was a purely humor scene ?

I have always said it's far better written never said it was me bean.
 
"Even if the narrative of the Webcomic was serious (it wasn't for Saitama vs Garou"
It wasn't serious. I said Humor and Catharsis not Thriller, horror, action, mystry, Drama or anything like that.

It's Cathartic to see Garou get absolutely disassembled by Saitama. His argument crumble to dust. It was never serious to being with.

Garou isn't Stain. He isn't hunting (and actually murdering) corrupt heroes like some ******* pyschopath.

He is in Saitama own words "A guy cosplaying a monster".

No one's dying, no lives are at stake. There no stakes in the scene. It's just Garou getting humbled.

Is it emotional ? Sure the Silverfang scene is with beating Garou. But Saitama vs Garou is closer to Reigan vs Claw more than anything.
 
(Question) What led you to begin drawing a web comic?

(Answer) How long have you wanted to be a manga artist? ONE: I had decided I wanted to be a gag manga artist from the time I was in grade school. I was a fan of Crayon Shin-chan, and at the time I wanted to draw that sort of manga. For me it wasn’t a case of simply trying to be a manga artist and testing the waters to see if it was worth a shot. Rather, my thought process was to decide right off the bat that I was going to be one, so the rest was just a matter of effort. I guess that’s how I decided my whole future while still just a kid.
Irrelevant and ultimately proven false (or rather mistranslated/misinterpreted by whoever translated this) if you actually look at ONE's serialized catalogue with none of his works being a "gag manga"

What even is a gag manga for comparison here? Arale? You think OPM is anything like Arale? If you do you're just an idiot.

Where did you get your ideas?

ONE: To start with I simply tried to draw the sort of manga I’d want to read myself. I’ve read loads of Shonen manga throughout my life, and am particularly fond of battle manga. Generally speaking, those types of stories are all about growth, meaning that by the last chapter, the main character has grown stronger than anyone else and lives happily ever after. So I wondered what would happen if I started the story off with the main character already in peak condition. That became my jumping-off point.

--So it’s a complete 180 from existing Shonen action manga?

ONE: Which makes it fun for people who have already read lots of those typical Shonen manga. It’s like they’ve run the first lap, and this is their second time around.
Yes, this describes the initial twist of the story "EoS main character thrown back to the beginning of the series" and the series itself was conceived as a one off joke to test a new drawing program ONE was toying with.

But even in this same interview, when ONE noticed people liked it and he started to actually plan out a continuation to the story he realized how interesting the concept was by itself as he developed it and as the story was fleshed out so was the tone of the series.

--ONE-sensei, tell us how you began drawing One-Punch Man.

ONE:
(...)I tried out drawing 15 pages, and uploaded it with my PC for the first time…that was One-Punch Man Chapter 1. I didn't have any real plans for continuing the story, and just posted it up without thinking of what to do next. But perhaps because I submitted it as “Chapter 1” it got a great response…OK, maybe not “great”, but a decent response. So I figured I might as well try drawing a continuation of the story. That’s when I really sat down and worked out how the story would continue, which made me realize this could turn into quite an interesting manga. And that pretty much brings us from Chapter 2 right up to the present.

You can observe the completion of this transition in real time during the WC DSK arc (15 years ago now!) where the story and character tropes are played straight and that genuine commitment to the genre is what made Mumen Rider and the DSK arc the favorite of many. This continues up to current events in the webcomic which I already described.

I say again, if you reject how OPM's emotional core is built around being an earnest superhero battle manga then you are disregarding like 99% of it. This position is only tenable if you are a "chapter 1 purist" for some asinine reason.
Second. Even if the narrative of the Webcomic was serious (it wasn't for Saitama vs Garou, any one who says so should give up reading)
?
What?

I mean you've contradicted yourself and conceded to Rinneltaichi already so whatever
 
It wasn't serious. I said Humor and Catharsis not Thriller, horror, action, mystry, Drama or anything like that.

It's Cathartic to see Garou get absolutely disassembled by Saitama. His argument crumble to dust. It was never serious to being with.

Garou isn't Stain. He isn't hunting (and actually murdering) corrupt heroes like some ******* pyschopath.

He is in Saitama own words "A guy cosplaying a monster".

No one's dying, no lives are at stake. There no stakes in the scene. It's just Garou getting humbled.

Is it emotional ? Sure the Silverfang scene is with beating Garou. But Saitama vs Garou is closer to Reigan vs Claw more than anything.
It is dramatic, it has action. Humor is one of the least noticeable qualities of the fight. It's funny, you mention people talking about Saitama Vs. Garou in the WC being serious a lot, you wanna know why? Because 90% of people agree it is, and not because of some refutable or subtle reason. The tone of the entire fight from beginning to end is serious, even if it has humorous elements. You're portraying it as a big joke of a fight when it's really not.

These things don't make it comedic. Cathartic is hardly the right word to use here btw despite how much you are using it. Also it's really not as one-sided ideologically as you're saying. Saitama tells Garou that he's basically doing something stupid and that it'll never work because Garou can't beat him, Garou doesn't have some "I'm enlightened, you were so right!" moment where he abandons what he believed suddenly because Saitama hit him a few times. Garou gives up and leaves.

Relevance? It doesn't undermine his character.

A Hero cosplaying a Monster you mean. And again, relevance? The narrative constructs Garou as someone who wants to do good things and protect the weak who cannot protect themselves, but he does so by alienating himself, villainizing Heroes, and wanting to stand against the self-proclaimed justice of the world that ignores people who need justice the most. That's not a joke nor comedic. It's nuanced character writing.

The stake is what's going to happen to Garou, a character who's taken half the spotlight for an entire arc that most of the readers have come to like. It's more than Garou getting humbled, it's everything he's worked towards over the entirety of this arc crumbling to dust because he encountered an anomaly that supersedes any level of growth he could hope to naturally muster through his will power and talent alone. He views Saitama as the embodiment of the unfair justice of the world that caused him to adopt this mentality in the first place.

It has similar narrative elements but it is very different. Garou wasn't being portrayed as a LITERAL deluded manchild unlike the members of Claw, speaking of, that fight and scene weren't gags either, they had comedic themes, very much so, but were still moments of actual writing and narrative complexity as well as character growth, to refer to it as a joke would be to insult the writing, nor were Garou's efforts so easily swiped away like Claw's were, which is ironic because the power gap between him and Saitama is bigger than 1000% Reigan Vs. the Claw members, Saitama was allowing him to actually give it his best and Garou put in real effort into it, it was only a little over halfway through that Saitama decided enough was enough and put the beatdown on him. If that's what you think the fight amounted to, I'm seriously questioning your ability to comprehend narrative.
 
It is dramatic, it has action. Humor is one of the least noticeable qualities of the fight. It's funny, you mention people talking about Saitama Vs. Garou in the WC being serious a lot, you wanna know why? Because 90% of people agree it is, and not because of some refutable or subtle reason. The tone of the entire fight from beginning to end is serious, even if it has humorous elements. You're portraying it as a big joke of a fight when it's really not.

These things don't make it comedic. Cathartic is hardly the right word to use here btw despite how much you are using it. Also it's really not as one-sided ideologically as you're saying. Saitama tells Garou that he's basically doing something stupid and that it'll never work because Garou can't beat him, Garou doesn't have some "I'm enlightened, you were so right!" moment where he abandons what he believed suddenly because Saitama hit him a few times. Garou gives up and leaves.

Relevance? It doesn't undermine his character.

A Hero cosplaying a Monster you mean. And again, relevance? The narrative constructs Garou as someone who wants to do good things and protect the weak who cannot protect themselves, but he does so by alienating himself, villainizing Heroes, and wanting to stand against the self-proclaimed justice of the world that ignores people who need justice the most. That's not a joke nor comedic. It's nuanced character writing.

The stake is what's going to happen to Garou, a character who's taken half the spotlight for an entire arc that most of the readers have come to like. It's more than Garou getting humbled, it's everything he's worked towards over the entirety of this arc crumbling to dust because he encountered an anomaly that supersedes any level of growth he could hope to naturally muster through his will power and talent alone. He views Saitama as the embodiment of the unfair justice of the world that caused him to adopt this mentality in the first place.

It has similar narrative elements but it is very different. Garou wasn't being portrayed as a LITERAL deluded manchild unlike the members of Claw, speaking of, that fight and scene weren't gags either, they had comedic themes, very much so, but were still moments of actual writing and narrative complexity as well as character growth, to refer to it as a joke would be to insult the writing, nor were Garou's efforts so easily swiped away like Claw's were, which is ironic because the power gap between him and Saitama is bigger than 1000% Reigan Vs. the Claw members, Saitama was allowing him to actually give it his best and Garou put in real effort into it, it was only a little over halfway through that Saitama decided enough was enough and put the beatdown on him. If that's what you think the fight amounted to, I'm seriously questioning your ability to comprehend narrative.
The fact that you've bothered yourself so much to such subjective comments is something to be respected.
If you can't express your problems without using foul language, you're a very low-class person.
 
Half of these are personal interpretations. There's no reason to insult each other.
Humor is one of the least noticeable qualities of the fight
I'm splitting hairs, but it's fairly noticeable. There's actually a surprising amount between chapters 87 and 90, especially Saitama going 'you're a sweet guy, Garou' and then it cuts away to Zombieman's mutilated body. But that ends completely when Saitama obliterates Garou.
It's Cathartic to see Garou get absolutely disassembled by Saitama
It's far more pathetic (on Garou's end) and serious to me than cathartic. People's interpretations of the fight will differ greatly.
 
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The fact that you've bothered yourself so much to such subjective comments is something to be respected.
If you can't express your problems without using foul language, you're a very low-class person.
Quite funny when I am responding to people bashing my own Subjective comments. Look at you guys sucking off each other. Well the anime season is over and I can't give a shit what you guys think about the webcomic or the manga's plot when your clearly are delusional thinking that this was supposed to some Parastye The Maxim level serious scene.

If using foul language makes someone a low-class person, then **** off I don't give a shit, I will speak how I want to.
 
Half of these are personal interpretations. There's no reason to insult each other.

I'm splitting hairs, but it's fairly noticeable. There's actually a surprising amount between chapters 87 and 90, especially Saitama going 'you're a sweet guy, Garou' and then it cuts away to Zombieman's mutilated body. But that ends completely when Saitama obliterates Garou.

It's far more pathetic (on Garou's end) and serious to me than cathartic. People's interpretations of the fight will differ greatly.
I'd say like 30%. I'm not trying to be that insulting, but when he says something that's just clearly not true and words it as objective and indisputable fact, it really confuses me and I express that vehemently. Like implying that the Garou Vs. Saitama webcomic fight is just a big gag with some emotional weight and "catharsis". There are aspects of the fight that can be subjectively interpreted, but that notion itself is bafflingly, absurdly out-there to me that I have to express it. Genuinely how can someone read that fight and think it's not a serious part of the story? Yes, Saitama brings humor to it, that's what he tends to do, but him adding a bit of humor to it doesn't mean it's not a serious fight with real narrative weight, especially for Garou's character.

I wasn't saying it's not noticeable, but among the least prominent aspects of it. The fight is like 90% serious, very action packed, and mostly focused on Garou trying to figure out a way to overcome this last obstacle to his goal, Saitama breaks him down layer by layer and demolishes Garou's hopes of becoming his version of a Hero, the "Ultimate Evil" that will purge unfair justice from the world. Saitama's ignorance and poor choice of wording brings levity in some areas but it's not a fight we're supposed to laugh at.

Exactly. Well interpretation is one thing but not everything in a story is subjective either. Like, it wouldn't be a valid interpretation to say that One Punch Man isn't a manga that likes to express humor, it clearly is. It would be equally invalid to say that it's only humor and doesn't have serious notes. In this case it wouldn't be true to say Saitama and Garou is purely action focused, but it is MOSTLY action focused and serious in tone, the comedy takes the sidewalk for the moment. That's all I'm saying.
 
Quite funny when I am responding to people bashing my own Subjective comments. Look at you guys sucking off each other. Well the anime season is over and I can't give a shit what you guys think about the webcomic or the manga's plot when your clearly are delusional thinking that this was supposed to some Parastye The Maxim level serious scene.

If using foul language makes someone a low-class person, then **** off I don't give a shit, I will speak how I want to.
Literally proving his point 😭
 
Quite funny when I am responding to people bashing my own Subjective comments. Look at you guys sucking off each other. Well the anime season is over and I can't give a shit what you guys think about the webcomic or the manga's plot when your clearly are delusional thinking that this was supposed to some Parastye The Maxim level serious scene.

If using foul language makes someone a low-class person, then **** off I don't give a shit, I will speak how I want to.
You're starting to exaggerate; you're just a parasite who violates a simple rule like not using foul language. If you care so much about fictional things, you're either too young or you don't have many things to hold onto in life. In a place devoid of love and respect, you can neither explain your problems nor defend your opinions.
 
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