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Hello, I decided to make a small blog on Dc cosmology based on the Doom patrol comics
Recursive painting:
There is an infinite recursive artistic painting containing at each of the infinite levels the same painting, which continues the recursion to infinity.
Each level of the recursive painting has its own space and time
Each higher level views the lower one as an ordinary picture, and relative to the higher level you become flat and unreal
The fifth horseman can influence the structure of the picture, climbing up the levels of its endless recursion, breaking out into the universe, and subsequently destroying it, leaving behind a void that will destroy itself
1-B high for infinite qualitative recursion, in which each higher level sees the previous one as a picture, and low 1-A for superiority over the painting
Recursion of Universes:
Universes multiply according to the principle of endless nesting dolls, multiplying in the form of particles, representing a virtual universe for subsequent
Infinite recursion low 1-A
Black book:
Reality is only a shadow of Orqwith, absorbing entire realities into itself, and having no boundaries
1-A for superiority over universe recursion
The basis of the universe:
The webspace is the foundation of all material universes
1-A
Kaleidoscope, Anathema, The Judgment Rock:
In Kaleidoscope there is no scale or perspective, space does not exist
The Judgment Rock is the axis around which time and space revolve
1-A for superiority over all lower structures
The Unknowable:
The Unknowable created the entire Dc multiverse by compressing his infinite self into the infinite and transcendental to the entire multiverse Ain Sof, which is only a drawing for him
In the case of comic book stories, it's the war between white page and ink. And who's to say that the page might want that particular story drawn on it? [laughs] What happens if the page is a bit pissed off at the story that's drawn on it? So I thought of the page as God. The idea being that the Overvoid – as we called it in Final Crisis - of the white page as a space is sort of God. And it's condensing stories out of itself because it finds inside its own gigantic white space, self-absorbed pristine consciousness, it finds this little stain or mark, this DC Multiverse somebody has 'drawn'. And it starts investigating, and it's just shocked with what it sees, with all the crazy activity and signifying going on in there. It then tries to protect itself from the seething contact with 'story' and imagines a race of beings, 'angels' or 'monitors' (another word for angel, of course) to function as an interface between its own giant eternal magnificence and this tiny, weird crawling anthill of life and significance that is the DC Multiverse.
The Unknowable/The Source/Overvoid 1-A for superiority over the entire cosmological structure of Dc
Source: Doom patrol v2
#21
#27
#28
#34
#54
#85
Agree: Minos_the_Judge, Im_Jason_Voorhees
Disagree:
Recursive painting:
There is an infinite recursive artistic painting containing at each of the infinite levels the same painting, which continues the recursion to infinity.
Each level of the recursive painting has its own space and time
Each higher level views the lower one as an ordinary picture, and relative to the higher level you become flat and unreal
The fifth horseman can influence the structure of the picture, climbing up the levels of its endless recursion, breaking out into the universe, and subsequently destroying it, leaving behind a void that will destroy itself
1-B high for infinite qualitative recursion, in which each higher level sees the previous one as a picture, and low 1-A for superiority over the painting
Recursion of Universes:
Universes multiply according to the principle of endless nesting dolls, multiplying in the form of particles, representing a virtual universe for subsequent
Infinite recursion low 1-A
Black book:
Reality is only a shadow of Orqwith, absorbing entire realities into itself, and having no boundaries
1-A for superiority over universe recursion
The basis of the universe:
The webspace is the foundation of all material universes
1-A
Kaleidoscope, Anathema, The Judgment Rock:
In Kaleidoscope there is no scale or perspective, space does not exist
The Judgment Rock is the axis around which time and space revolve
1-A for superiority over all lower structures
The Unknowable:
The Unknowable created the entire Dc multiverse by compressing his infinite self into the infinite and transcendental to the entire multiverse Ain Sof, which is only a drawing for him
In the case of comic book stories, it's the war between white page and ink. And who's to say that the page might want that particular story drawn on it? [laughs] What happens if the page is a bit pissed off at the story that's drawn on it? So I thought of the page as God. The idea being that the Overvoid – as we called it in Final Crisis - of the white page as a space is sort of God. And it's condensing stories out of itself because it finds inside its own gigantic white space, self-absorbed pristine consciousness, it finds this little stain or mark, this DC Multiverse somebody has 'drawn'. And it starts investigating, and it's just shocked with what it sees, with all the crazy activity and signifying going on in there. It then tries to protect itself from the seething contact with 'story' and imagines a race of beings, 'angels' or 'monitors' (another word for angel, of course) to function as an interface between its own giant eternal magnificence and this tiny, weird crawling anthill of life and significance that is the DC Multiverse.
The Unknowable/The Source/Overvoid 1-A for superiority over the entire cosmological structure of Dc
Source: Doom patrol v2
#21
#27
#28
#34
#54
#85
Agree: Minos_the_Judge, Im_Jason_Voorhees
Disagree:
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