- 31,401
- 27,694
I think that's a reasonable minimum threshold.
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I think that's a reasonable minimum threshold.
Current rules for that are here. The relevant core is "It's impractical to set precise limits, but works should be very popular and/or influential. Such as the Interface Series, which has a Vice article, as well as significant fanbase and discussion across multiple platforms."So what kind of rule texts would the two of you (and other of our administrators) suggest here, and what is our currently applied rule text regarding this issue?
1 million YouTube views for at least one video for a verse seems reasonable to me.Another case that would need separate considerations is works originating from other languages. Reaching 1 million Japanese speakers is a much higher percentage of the viable readership than reaching 1 million English speakers.
Maybe we could set a hard limit just for the sources from which we most commonly have problems regarding notability and leave the rest to case-by-case consideration? I think 1 million is probably fine for something like Youtube.
@DontTalkDT1 million YouTube views for at least one video for a verse seems reasonable to me.
- [Existing rule]
- For Youtube series that are not created by bigger companies we generally require that at least one video of the series has at least 1 million views on its own.
The television series was first shown at Comic-Con 2006, while some of the episodes were shown on the website a few weeks prior to the show's television premiere.[citation needed] The television series would premiere on September 25, 2006, at midnight on G4's late-night block, Barbed Wire Biscuit (later renamed Midnight Spank). The web series also aired on the network's animation anthology series; Happy Tree Friends and Friends and G4's Late Night Peepshow.[citation needed].
The Canadian channel Razer (now MTV2) aired the show in syndication with then-sibling television network Citytv,[17] and then OLN. Internationally, the series was broadcast on MTV in Europe and Latin America, and Animax in South Africa.[18]
idk what you mean by "company's name", Tllm was trying to appeal through the "bigger companies" exception.I don't think the company's name would really change how we treat each verse, I think. Happy Tree Friends is perfectly acceptable, but if their other works aren't notable, then they aren't notable, simple as.
(to be clear, I referred to "company name" because I did not reckon this company to fit said rule, and that simply producing one notable production probably didn't suffice to call it a "big company"- having looked at their catalogue, I now see that it's more expansive than previously thought, so while I would still say this isn't a big company, I understand it is more borderline than previously thought)idk what you mean by "company's name", Tllm was trying to appeal through the "bigger companies" exception.
fwiw, I think something like this could be a way people read that, but probably isn't what was intended.
@Mr. BambuWhat currently needs to be done here, and what are our conclusions here so far?
@AntvasimaThe rule was written and applied.
After that, Tllm asked whether an example met the guidelines or not.
Bambu and Ant agreed that it didn't.
If no-one wishes to discuss that further, this could be closed.
Never mind. We still seem to need to handle this issue regarding works not released via YouTube. My apologies.Okay. So you and others here do not have any suggestions for further minimum requirement specifications regarding other types of personally released works?
For content published on YouTube, or online content for which one can expect similar viewer numbers to be equally reasonable to reach, we require that at least one entry in the canon has at least 1 million views on its own. This doesn't apply for entries created by bigger companies and for entries for which no viewer numbers can be determined. The former are generally allowed, while for the latter, case-by-case consideration is required.