ShockingPsychic
He/Him- 2,904
- 1,031
I have no experience with Tier 1 stuff, however I've seen similar feats get Low 1-C. Today, I'm asking about something from the Markiplier series.
I also don't really get proper uses of '"layers of fiction", so for clarity:
Lower Narrative: The Captain's world, where the main events of the series take place. (A Heist With Markiplier, In Space With Markiplier)
Higher narrative: The Actor's world, where The Captain's world is seemingly nothing more than stories being acted out as films. (Who Killed Markiplier, Damien)
In the Markiplier series, it's implied that the Heist With Markiplier and In Space With Markiplier happen on the "lower narrative", created by The Actor (as Damien explains that these stories are "his games" and "his webs"), while the Actor portrays characters in the films that form the lower narrative.
Twice though, the Captain manages to escape this "lower narrative", interacting with the "higher" one, meeting the Actor himself, rather than the characters he portrays in the Captain's world. He also meet the narrator, who calls himself a "higher-dimensional being". In both cases, he is shown to be able to interact with the higher world, and even struggles with the Narrator.
Would this make the Captain/Actor/Narrator Low 1-C, or is there a better way to go about this? I can likely provide more context if requested.
I also don't really get proper uses of '"layers of fiction", so for clarity:
Lower Narrative: The Captain's world, where the main events of the series take place. (A Heist With Markiplier, In Space With Markiplier)
Higher narrative: The Actor's world, where The Captain's world is seemingly nothing more than stories being acted out as films. (Who Killed Markiplier, Damien)
In the Markiplier series, it's implied that the Heist With Markiplier and In Space With Markiplier happen on the "lower narrative", created by The Actor (as Damien explains that these stories are "his games" and "his webs"), while the Actor portrays characters in the films that form the lower narrative.
Twice though, the Captain manages to escape this "lower narrative", interacting with the "higher" one, meeting the Actor himself, rather than the characters he portrays in the Captain's world. He also meet the narrator, who calls himself a "higher-dimensional being". In both cases, he is shown to be able to interact with the higher world, and even struggles with the Narrator.
Would this make the Captain/Actor/Narrator Low 1-C, or is there a better way to go about this? I can likely provide more context if requested.