• This forum is strictly intended to be used by members of the VS Battles wiki. Please only register if you have an autoconfirmed account there, as otherwise your registration will be rejected. If you have already registered once, do not do so again, and contact Antvasima if you encounter any problems.

    For instructions regarding the exact procedure to sign up to this forum, please click here.
  • We need Patreon donations for this forum to have all of its running costs financially secured.

    Community members who help us out will receive badges that give them several different benefits, including the removal of all advertisements in this forum, but donations from non-members are also extremely appreciated.

    Please click here for further information, or here to directly visit our Patreon donations page.
  • Please click here for information about a large petition to help children in need.

DC Comics - Remove "possibly" for the Darkest Knight

Status
Not open for further replies.
Do we consider Grant's Supergods canon? If we do there's this scan
IMG_8286.png
 
Just to give some input on the plot manipulation thing involving Mandrakk since I was asked.

Starting off, from Mandrakks level of existence DC is essentially a story. We can go back to Final Crisis Superman Beyond and The Multiversity and see that within the Overvoid where Mandrakk was, DC is presented as this flaw containing stories and an endless narrative.

Here's the scan from The Multiversity which describes the multiverse as an endless play of matter and narrative.

Scan 1 (Multiversity Guidebook #1)

And here's the scans from Final Crisis which also establish how when Mandrakk first inspected the flaw he discovered that it was essentially a structure containing stories.

Scan 1 (Final Crisis Superman Beyond #1)

Scan 2 (Final Crisis Superman Beyond #1)

It is important to note from the second scan that it mentions how the Overvoid became haunted by the mystery of the Thought Robot who infected the Overvoid with narratives causing story to spread like a contagion. Once this legend took root, the Monitors, their history, and the Monitor Sphere were created as an added layer to the Multiverse, with Mandrakk adopting the role as this vampiric, devil like figure who's desire is to destroy existence and the Thought Robot adopting the role as existences savior.

What this means is that basically Nil/The Monitor Sphere and the Monitors were byproducts of the formation of a story with Mandrakk and the Thought Robot adopting biblical like figures/forms within said story. Proving that the concept of story plays an actual foundational role in the formation of existence within the cosmology that beings and structures within the Multiverse are byproducts of. And we know this to be the case through multiple pieces of evidence.

The Monitors themselves are recognized by the Thought Robot as being once faceless and numberless until their essential nature was changed by narratives which formed around them like crystals in solution.

Scan 1(Final Crisis Superman Beyond #2)

And Mandrakk was capable of one shotting these beings.

Scan 1(Final Crisis Superman Beyond #2)

Another example is the Thought Robot who is also considered to be a literal story that Mandrakk was capable of harming which was displayed all throughout the fight scene in Final Crisis Superman Beyond #2.

Scan 1(Final Crisis Superman Beyond #2)

The Multiverse which is treated as containing stories was being drained dry by the Monitors who's true nature is the same as Mandrakks.

Scan 1(Final Crisis Superman Beyond #2)

There is also this "self assembling hyperstory" thing that was mentioned when the Thought Robot was fighting Mandrakk. The Thought Robot would describe this hyperstory as something that was "trying it's best to destroy him." Taking into account everything I've mentioned already, I believe that this hyperstory is what formed and governs the Monitor Sphere and the Monitors after the event that happened in the Overvoid. Additionally, I also believe Mandrakk was the one manipulating this story. Which makes sense as the Thought Robot only becomes aware of this hyperstory the moment Mandrakk starts fighting him and Mandrakk is the only one there who wants to destroy him.

So all in all, I think Mandrakk should definitely keep his plot manipulation. There's proof of the concept of story being something foundational in the formation of existence and being within the cosmology and there's proof of Mandrakk manipulating and destroying things that are defined as a story/narrative. And that's not even taking into account all of the author statements from Grant Morrison which imply Mandrakk has plot manipulation.
 
Last edited:
I do not think that we can use anything unofficial and non-canon, such as Supergods, as a basis for the content of our profile pages.

Anyway, is the plot manipulation issue the only thing that we have left to decide here?
 
I do not think that we can use anything unofficial and non-canon, such as Supergods, as a basis for the content of our profile pages.

Anyway, is the plot manipulation issue the only thing that we have left to decide here?
After looking at that user response, it seems fine to be applied. He cleared most of stuff.
 
Are the following edits that Eseseso and I made sufficient for Wally's page, or is anything more needed?


I am not sure about the plot manipulation, but Xearsay seemed to make good points.

What do you think, @Deagonx ?
 
I thought that we removed that. Check again please.
 
Oh, yes. Sorry about not noticing that part. I will remove the section in question.
 
I handled it. Is the page acceptable now?

 
I handled it. Is the page acceptable now?

"Mobius Chair" needs to be removed-
Standard Equipment: None notable | The Mobius Chair
 
It seems more like figurative speech rather than literal plot manipulation.
 
What do you refer to specifically?
 
She is talking about creating a universe and hiding clues throughout time. That is space-time manipulation, not plot manipulation, and talking about people who have eventful lives as living out their stories is quite commonplace. She also never displayed any control over the narrative itself. If she had that ability, she would just have written "...and then all of my opponents and the settings for their stories permanently disappeared, and I won and lived happily ever after. The end." at some point.
 
She is talking about creating a universe and hiding clues throughout time. That is space-time manipulation, not plot manipulation, and talking about people who have eventful lives as living out their stories is quite commonplace. She also never displayed any control over the narrative itself. If she had that ability, she would just have written "...and then all of my opponents and the settings for their stories permanently disappeared, and I won and lived happily ever after. The end." at some point.
Space-time manipulation by healing a story? What does the story even present? Is the story universe (reality-based)? If so… I doubt that only “space-time” manipulation.
 
I do not notice any mention of healing a story in the latest submitted scan in this thread.
 
I do not notice any mention of healing a story in the latest submitted scan in this thread.
My bad. Apologies. It is likewise destroying one and creating a multiverse (story). This is actually plot manipulation if he reviewed it as a story.
 
We need further evidence of controlling the plot, so we know that it is not just figurative speech.
 
Also doesn't the fact BWL could fight without seeing anything(he literally has a steel helmet covering his eyes) count for an ability?
 
Enhanced senses seem fine, I think, but he may have had advanced visual equipment inside of his helmet.
 
Status
Not open for further replies.
Back
Top