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First, I'll use this CRT as a premise for order is a script/story
Thread 'Upgrade for the Gods ability. Maou Gakuin' https://vsbattles.com/threads/upgrade-for-the-gods-ability-maou-gakuin.141671/
In the thread, it was established that the gods view the world as a stage play and orchestrate its events. All things exist merely as roles assigned by Order, acting according to the framework imposed upon them. However, many argue that this is simply figurative language meant to describe a predetermined arrangement-that is, fate.
Today, I will be refuting that interpretation.
Question:
[気になる点]
自らの嗜好で喜劇と悲劇に優劣をつける興行師は愚かとのことですが、アノス達不適合者はさしずめ自らの嗜好(アノス=愛と優しさ、グラハム=憎悪と醜さ)を極めて一流の作品として世界と言うキャンバスや原稿用紙に形作るようにする作家達と言ったところでしょうか。
サーシャには「おあいにくさま」の決め台詞があるのにミーシャにはこれといった決め台詞を発したことが無いように思えるのですが、もし考案していてこの先で登場するならするのでしょうか？
[一言]
登場人物の能力は性格に応じて影響されている部分もあるのでしょうか？
投稿者： 高桐遥輝
2018年 08月07日 16時02分
管理
ご感想ありがとうございますっ！
Author:
言い得て妙ですねっ。確かに、アノスやグラハムは、神々にとっては脚本家のような存在。しかも、こいつら、興行師の言うこと聞きやがらないどころか、興行師を舞台に立たせる台本書きやがるって感じでしょうねー。
ミーシャは、決め台詞っぽいのは、あまりありませんよね。
そもそも、あんまり喋らないからっていうのはあるかも？
もしかしたら、そのうち、なにか出てくるかもしれません。
登場人物の能力は、やっ
ぱり性格に影響されている部分ありますよー。
ねー。
Source : https://novelcom-syosetu-com.transl...77/?p=741&_x_tr_sl=ja&_x_tr_tl=vi&_x_tr_hl=vi
Trans:
Question
"It is said that a showman who judges comedy and tragedy as superior or inferior according to his own preferences is foolish, but would it be fair to say that the Misfits such as Anos and the others are, so to speak, writers who shape their own preferences (Anos = love and kindness, Graham = hatred and ugliness) into first class works upon the canvas or manuscript paper called the world?
Although Sasha has the catchphrase What a pity for you, it seems to me that Misha has never spoken any particular catchphrase like that. If you have already devised one and it is going to appear later on, will it appear?
Are there parts of the characters abilities that are influenced according to their personalities?"
Author:
"That is a remarkably apt way of putting it. Certainly, from the gods perspective, Anos and Graham are beings much like scriptwriters. Moreover, these guys do not merely refuse to listen to what the showman says they are the sort who would go as far as writing a script that places the showman himself upon the stage.
As for Misha, she does not really have anything resembling a catchphrase. Perhaps that is simply because she does not talk very much in the first place.
Maybe, someday, something like that might appear.
And yes, there are indeed aspects of the characters abilities that are influenced by their personalities."
Source Trans: https://vsbattles.com/threads/official-translation-requests-thread-new-forum.107531/post-7775457
The author then confirms this interpretation, stating that, from the perspective of the gods, Anos and Graham are playwrights or scriptwriters. Rather than simply following the roles assigned to them, they rewrite the script itself.
The implication is that Anos and the Misfits are not merely individuals who refuse to follow the gods' script—they are capable of rewriting it. In Maou Gakuin, the term "Misfit" refers to beings who exist outside Order or have been rejected by it. Both Anos and Graham are Misfits, and they are also beings who destroy and overturn Orders. This is precisely why the author describes them as "playwrights."
Therefore, the "scripts" mentioned by the author can be understood as the Orders of Maou Gakuin. The author's point is that Anos and the Misfits are entities who do not simply reject the roles imposed by Order, but are capable of rewriting and overturning the Orders themselves.
=> Order = Script= Story=Plot
There is no flowery language involved here. The script being referred to is discussed during the era of the Gods of Order, and as is already known, the "script" mentioned at that stage is Order itself. The passage explains that Misfits—beings who exist outside Order and are capable of altering it, such as Anos and Graham—exist beyond the script and can even rewrite it, meaning they can change Order itself.
Therefore, it is reasonable to accept that Order = Script = Plot. It is not merely something predetermined like fate; rather, it unfolds like written text on a page, and Misfits are capable of rewriting or redrawing that text.
Agree:
Neutral:
Disagree:
Sorry for creating another thread. The previous one was closed, and I was being a bit impatient.
Could you delete the old thread for me? It's essentially a duplicate of this one.
Thread 'Upgrade for the Gods ability. Maou Gakuin' https://vsbattles.com/threads/upgrade-for-the-gods-ability-maou-gakuin.141671/
In the thread, it was established that the gods view the world as a stage play and orchestrate its events. All things exist merely as roles assigned by Order, acting according to the framework imposed upon them. However, many argue that this is simply figurative language meant to describe a predetermined arrangement-that is, fate.
Today, I will be refuting that interpretation.
Question:
[気になる点]
自らの嗜好で喜劇と悲劇に優劣をつける興行師は愚かとのことですが、アノス達不適合者はさしずめ自らの嗜好(アノス=愛と優しさ、グラハム=憎悪と醜さ)を極めて一流の作品として世界と言うキャンバスや原稿用紙に形作るようにする作家達と言ったところでしょうか。
サーシャには「おあいにくさま」の決め台詞があるのにミーシャにはこれといった決め台詞を発したことが無いように思えるのですが、もし考案していてこの先で登場するならするのでしょうか？
[一言]
登場人物の能力は性格に応じて影響されている部分もあるのでしょうか？
投稿者： 高桐遥輝
2018年 08月07日 16時02分
管理
ご感想ありがとうございますっ！
Author:
言い得て妙ですねっ。確かに、アノスやグラハムは、神々にとっては脚本家のような存在。しかも、こいつら、興行師の言うこと聞きやがらないどころか、興行師を舞台に立たせる台本書きやがるって感じでしょうねー。
ミーシャは、決め台詞っぽいのは、あまりありませんよね。
そもそも、あんまり喋らないからっていうのはあるかも？
もしかしたら、そのうち、なにか出てくるかもしれません。
登場人物の能力は、やっ
ぱり性格に影響されている部分ありますよー。
ねー。
Source : https://novelcom-syosetu-com.transl...77/?p=741&_x_tr_sl=ja&_x_tr_tl=vi&_x_tr_hl=vi
Trans:
Question
"It is said that a showman who judges comedy and tragedy as superior or inferior according to his own preferences is foolish, but would it be fair to say that the Misfits such as Anos and the others are, so to speak, writers who shape their own preferences (Anos = love and kindness, Graham = hatred and ugliness) into first class works upon the canvas or manuscript paper called the world?
Although Sasha has the catchphrase What a pity for you, it seems to me that Misha has never spoken any particular catchphrase like that. If you have already devised one and it is going to appear later on, will it appear?
Are there parts of the characters abilities that are influenced according to their personalities?"
Author:
"That is a remarkably apt way of putting it. Certainly, from the gods perspective, Anos and Graham are beings much like scriptwriters. Moreover, these guys do not merely refuse to listen to what the showman says they are the sort who would go as far as writing a script that places the showman himself upon the stage.
As for Misha, she does not really have anything resembling a catchphrase. Perhaps that is simply because she does not talk very much in the first place.
Maybe, someday, something like that might appear.
And yes, there are indeed aspects of the characters abilities that are influenced by their personalities."
Source Trans: https://vsbattles.com/threads/official-translation-requests-thread-new-forum.107531/post-7775457
The author then confirms this interpretation, stating that, from the perspective of the gods, Anos and Graham are playwrights or scriptwriters. Rather than simply following the roles assigned to them, they rewrite the script itself.
The implication is that Anos and the Misfits are not merely individuals who refuse to follow the gods' script—they are capable of rewriting it. In Maou Gakuin, the term "Misfit" refers to beings who exist outside Order or have been rejected by it. Both Anos and Graham are Misfits, and they are also beings who destroy and overturn Orders. This is precisely why the author describes them as "playwrights."
Therefore, the "scripts" mentioned by the author can be understood as the Orders of Maou Gakuin. The author's point is that Anos and the Misfits are entities who do not simply reject the roles imposed by Order, but are capable of rewriting and overturning the Orders themselves.
=> Order = Script= Story=Plot
There is no flowery language involved here. The script being referred to is discussed during the era of the Gods of Order, and as is already known, the "script" mentioned at that stage is Order itself. The passage explains that Misfits—beings who exist outside Order and are capable of altering it, such as Anos and Graham—exist beyond the script and can even rewrite it, meaning they can change Order itself.
Therefore, it is reasonable to accept that Order = Script = Plot. It is not merely something predetermined like fate; rather, it unfolds like written text on a page, and Misfits are capable of rewriting or redrawing that text.
Agree:
Neutral:
Disagree:
Sorry for creating another thread. The previous one was closed, and I was being a bit impatient.
Could you delete the old thread for me? It's essentially a duplicate of this one.
