Cool.
In the meantime, here's a couple of those quotes on what looking into his eyes does to people.
But it was the eyes, gripping Magda more fiercely than the icy hand on her arm, killing off her wailing cry and stilling her frantic struggles.
The eyes. Large and round, cold and crystalline, the pupils dark holes into a chaos beyond reason, beyond reality itself, black as a night sky that had never been blued by the sun or marred by the light of moon and stars. The surrounding irises were almost as dark, dilating as she watched, widening the twin doorways, drawing her into the madness beyond...
...madness. The madness was so attractive. It was safe, it was serene, it was isolated. It would be so good to pass through and submerge herself in those dark pools... so good...
No!
Magda fought the feeling, fought to push herself away. But ... why fight? life was nothing but disease and misery, a struggle that everyone eventually lost. What was the use? Nothing you did really mattered in the long run. Why bother?
She felt a swift undertow, almost irresistible, drawing her toward those eyes. There was lust there, for her, but a lust that went beyond the mere sexual, a lust for all that she was. She felt herself turn and lean toward those twin doorways of black. It would be so easy to let go...
... she held on, something within her refusing to surrender, urging her to fight the current. But it was so strong, and she felt so tired, and what did it all matter, anyway?
A sound ... music ... and yet not music at all. A sound in her mind, all that music was not ... non-melodic, disharmonic, a delirious cacophony of discord that rattled and shook and sent tiny cracks through the feeble remainder of her will. The world around her—everything—began to fade, leaving only the eyes ... only the eyes...
... she wavered, teetering on the edge of forever...
... then she heard Papa's voice.
Magda clutched at the sound, clung to it like a rope, pulled herself hand over hand along its length. Papa was not calling to her, was not even speaking in Romanian, but it was his voice, the only familiar thing in the chaos about her.
The eyes turned away. Magda was free. The hand released her.''
| | |
| | ~ The Keep | |
So much as looking at his eyes for longer than the briefest moment caused her to start losing control of her mind very quickly, and also made it so that she couldn't look away.
The next guy got lucky, since he almost instinctively looked away the instant he saw them.
Rafe smiled and suddenly the lights began to dim.
"I'd dearly love to show you," Rafe said. "But it doesn't serve my purpose at the moment. However, I will grant you a brief glimpse."
The room grew darker and colder, as if some hidden vortex were sucking all the heat and light from the room. And then the black swooped in, a darkness so perfect that Bill's nervous system screamed as direction went awry, as up and down lost all meaning. But this was not a quiet darkness, not a simple absence of light; this was a devouring of light. A living blackness, a slithering, shuffling, shambling, hungry blackness, ravenous not for his flesh but for his soul, his essence, his very being. As Bill dropped to his knees and hugged the floor, digging his fingers into the pile to keep from tumbling toward the ceiling, a noxious grave-born odor seeped into his nostrils, caressed his tongue—sour, acrid, moist, carrying a hint of putrescence—gagging him.
And then he saw the eyes, hovering before him. Huge, round, the whites like glazed porcelain, the irises crystalline black, but not nearly as black as the bottomless sinkholes into infinity at their center. From those pupils there radiated such palpable malevolence that Bill had to turn away, squeeze his eyes shut to shield himself from the beckoning madness.
And just as suddenly there was light beyond his lids. He opened his eyes. The living room was lit again. He gasped for air. What had just happened? Had he been hypnotized somehow—or was that the real Rafe?
| | |
| | ~ Reprisal | |
