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Hello and welcome, everyone, to our team’s latest effort in proving and solidifying the existence of High 1-A Godzilla. Following our unsuccessful attempt at establishing 1-A+ in our previous CRT, I alongside Yayady, with additional insights drawn from past contributors such as Arceus0x, CitrusReality, and many others firmly believe we have now uncovered concrete evidence supporting High 1-A Godzilla Singular Point. So, without further ado, we present to you…
Godzilla Singular Point H1-A and High 1-A+ Upgrade
First, let me clarify: since this analysis involves considerable Japanese text interpretation, to avoid misunderstandings, we will use IT to refer to both the entity itself and its manifestations. Although we are accustomed to calling its manifestation "Ultima," in fact, this term refers to a specific stage of a three-dimensional body that a lower-level IT takes in a lower-dimensional context. Neither the anime nor the novel uses the word "Ultima", only the original designation IT《それ》 and the name humans gave it, Godzilla ゴジラ.
First, this passage:
Let’s analyze this Japanese sentence carefully.
First, look at the first part:
This means “to dream within a dream.” The question is, who is dreaming within the dream? If 《それ》（IT）is dreaming, then who is the one dreaming inside the dream of IT?
The answer is obvious. It is still IT.
It can be seen that there are two distinct hierarchical levels of IT, and the lower-level IT exists within the dream of the higher-level IT. According to the text, this IT within the dream is itself still dreaming, and this process is endless (その繰り返しに果てはなく). This indicates that IT does not merely have two levels. In principle, it possesses infinite levels.
Why do we first emphasize this point?
Because various descriptions related to IT appear in the text. If we fail to recognize that there are different hierarchical levels of IT, descriptions about IT may be conflated. For example, descriptions like “a hyper-spatial tree,” “a Gödel universe,” “countless battles,” or “infinite dimensions” are indeed descriptions of IT or the physical environment within its dreams but which IT? Which level?
We do not need to specify exactly, but we know it must be a IT at a certain level. However, for any given level of IT, there are infinitely many IT above it and infinitely many IT below it because this is a 決して醒めることのできない夢 (a dream that can never be awakened from), and also a こ誰も入り込むとのできない夢 (a dream that no one can enter).
Let’s further argue this point by returning to the first sentence of the original text:
Thus, this is a process of continual awakening. Unlike the previous process that is dreaming within a dream, which is a descent deeper into dreams, awakening from a dream is an ascent to higher dream levels. So there are two directional axes here.
After describing these two axes, the text states:
Meaning: “No matter how far you go, this repetition has no end.”
繰り返し means repetition. There were two types of repetition mentioned earlier: one is continual awakening, and the other is continual dreaming within dreams. Both are endless. This is the fundamental structure of the dream hierarchy.
Now, having clarified the dream hierarchy, let’s address a few issues.
First, there has long been a notion that the dream hierarchy corresponds to dimensional hierarchy. However, this notion completely contradicts the original text above.
We know that a dimensional hierarchy is one where there can be infinite levels above any given dimension, but only finite levels below it.
For example, a 5th dimensional space has only five levels below it. Yet the description of dreams in the text clearly states that dreaming within a dream can continue infinitely meaning there are infinite levels in the direction of descending deeper into dreams. Therefore, the dream hierarchy cannot possibly be a dimensional hierarchy.
The root cause is that a dimensional hierarchy always has a starting point. A minimum dimension, such as 0 dimensional. But the text explicitly states that dreams can descend infinitely and there is no lowest dream level.
The fact that dimensions have a starting point can also be clearly seen from the differentials in Grassmann algebra, where serves as the starting basis element.
Next, let's look at Toh Enjoe's expanded descriptions of dreams.
First, examine this passage from the beginning of the novel:
In the first three parts of this passage, IT dreams in different places and sometimes in the abyss of the sea, sometimes high in the sky, sometimes deep underground. But after each of these three descriptions, the following phrase is added:
Translated, this means "even now, it is dreaming there."
This clearly implies that at the same time, across different spatial points, different dreams are taking place. Different IT exist in different locations, experiencing different dreams.
Then, a rather peculiar kind of dream appears, though this dream narrative also has a starting point.
Look at the first sentence:
As written here, the starting point is IT dreaming of the past. This is entirely different from the later infinite hierarchical structure of both endlessly awakening and endlessly descending into deeper dreams.
The original text then continues: dreaming of the future in the past, and in the future, dreaming of dreaming of the future in the past. For it, the "present" is the aggregate of all dreams in which past and future intertwine, exhausting all possibilities.
This can be understood as a collection of dreams that exhaust all possible pasts and futures. Dreaming of the past is the starting point; from this past, it dreams of the future, and from there, everything unfolds.
We can contrast this dream description with a previous one:
Here, IT is neither in the past nor the future and it is dreaming at the "bottom of time."
It should be noted that all the above descriptions related to dream structures appear before the description of infinite dream layers.
Thus, let's summarize the overall expansion of dream-related structures:
The first three sentences of the novel state that IT dreams at different spatial points. Then, along the timeline, it is sometimes in the past, sometimes in the future, and finally, it exhausts all possibilities of interwoven pasts and futures. Before this, there is also mention of dreaming at the "bottom of time"—a place outside the timeline. After all this, the author further expands the dream hierarchy, introducing the description of infinite dream layers.
Here, we see an expansion process: from space → to time → to all possible pasts and futures (including the "bottom of time," a place outside time) → and finally, to infinite dream layers.
Finally, let’s discuss the two directions of dreams and their meanings:
Regarding the two directional descriptions of the infinite layers of IT, one is infinitely upward (awakening), and the other is infinitely downward (descending deeper into dreams).
The infinite upward direction clearly corresponds to evolutionary ascent. However, the infinite downward direction requires further explanation.
If an infinite upward direction implies something originally below ascending upward, then an infinite downward direction implies something already above, looking down from a perspective that transcends, descending into the depths of dreams. It does not need to evolve; what evolves are the IT within the dreams. The awakening of these ITs within the dreams corresponds to an upward evolution. However, these dreams are ultimately impossible to awaken from (決して醒めることのできない夢). This means that no matter how infinitely the ITs inside the dreams evolve, they can never reach the transcendent being that exists outside. Such an IT is not attained through evolution, an evolution simply cannot reach it, as it already resides at a higher plane from the beginning.
Thus, dreams can be viewed from two perspectives: one as an upward evolutionary hierarchy, and the other as a downward hierarchy of a transcendent being.
Therefore, while at the Omega Point it remains at L1-A, tearing through the Omega Point elevates it to 1-A.
The IT that continuously awakens within dreams reaches 1-A+.
And the IT that serves as the dreaming entity transcends all dreams. No matter how many times the lower-level ITs awaken, this entity never truly awakens—it remains an existence they can never reach. This places it at least at H1-A.
Let’s first examine this passage:
Among these are the following two sentences:
First, this line:
Then this line:
時代時代 actually means “each era” or “every age.”
Next, 空想科学小説 appears. What is 空想科学小説 exactly?
We see that it is a translation of “science fiction,”
Thus, the meaning of the original sentence is:
A pictorial guide of the “theories” appearing in the science-fiction novels of each era.
The original text then lists some examples and finally concludes:
In other words, the theories appearing in the science-fiction novels of every era are possible universes. The legends and tales from all times and places are also possible universes and they do not currently exist only because they were not selected to exist.
Now let’s look at this paragraph:
Earlier it was stated that possible universes do not exist because they were not chosen.
But here the description changes:
あらゆること means “everything.” and 起こりえて means “can happen.”
Thus, the meaning of this sentence is that: In that place, everything can happen.
This implies that all those things which were possible but not selected earlier, whether the theories from each era’s science fiction or the fantasy stories from all times and places can now occur.
The author goes even further in the following text:
Here, 想像可能なあらゆること means “everything that can be imagined.”
So the whole sentence means:
Even if everything imaginable happened simultaneously, it would no longer be surprising.
To summarize:
This cosmology shifts from a state where universes exist selectively to a state where everything is possible. Everything imaginable, be it the fantasy tales from all ages or the theories from each era’s science fiction can happen. Considering that Toh Enjoe himself is a science-fiction writer, this is quite intriguing.
@That_moron2 @GodzillavsRayquaza @Planck69 @TyranoDoom30
Godzilla Singular Point H1-A and High 1-A+ Upgrade
First, let me clarify: since this analysis involves considerable Japanese text interpretation, to avoid misunderstandings, we will use IT to refer to both the entity itself and its manifestations. Although we are accustomed to calling its manifestation "Ultima," in fact, this term refers to a specific stage of a three-dimensional body that a lower-level IT takes in a lower-dimensional context. Neither the anime nor the novel uses the word "Ultima", only the original designation IT《それ》 and the name humans gave it, Godzilla ゴジラ.
First, this passage:
Let’s analyze this Japanese sentence carefully.
First, look at the first part:
This means “to dream within a dream.” The question is, who is dreaming within the dream? If 《それ》（IT）is dreaming, then who is the one dreaming inside the dream of IT?
The answer is obvious. It is still IT.
It can be seen that there are two distinct hierarchical levels of IT, and the lower-level IT exists within the dream of the higher-level IT. According to the text, this IT within the dream is itself still dreaming, and this process is endless (その繰り返しに果てはなく). This indicates that IT does not merely have two levels. In principle, it possesses infinite levels.
Why do we first emphasize this point?
Because various descriptions related to IT appear in the text. If we fail to recognize that there are different hierarchical levels of IT, descriptions about IT may be conflated. For example, descriptions like “a hyper-spatial tree,” “a Gödel universe,” “countless battles,” or “infinite dimensions” are indeed descriptions of IT or the physical environment within its dreams but which IT? Which level?
We do not need to specify exactly, but we know it must be a IT at a certain level. However, for any given level of IT, there are infinitely many IT above it and infinitely many IT below it because this is a 決して醒めることのできない夢 (a dream that can never be awakened from), and also a こ誰も入り込むとのできない夢 (a dream that no one can enter).
Let’s further argue this point by returning to the first sentence of the original text:
Here, IT is repeatedly awakening.
This means IT awakens from a dream. What dream did it have?
It dreamed of awakening from a dream.
Thus, this is a process of continual awakening. Unlike the previous process that is dreaming within a dream, which is a descent deeper into dreams, awakening from a dream is an ascent to higher dream levels. So there are two directional axes here.
After describing these two axes, the text states:
Meaning: “No matter how far you go, this repetition has no end.”
繰り返し means repetition. There were two types of repetition mentioned earlier: one is continual awakening, and the other is continual dreaming within dreams. Both are endless. This is the fundamental structure of the dream hierarchy.
Now, having clarified the dream hierarchy, let’s address a few issues.
First, there has long been a notion that the dream hierarchy corresponds to dimensional hierarchy. However, this notion completely contradicts the original text above.
We know that a dimensional hierarchy is one where there can be infinite levels above any given dimension, but only finite levels below it.
For example, a 5th dimensional space has only five levels below it. Yet the description of dreams in the text clearly states that dreaming within a dream can continue infinitely meaning there are infinite levels in the direction of descending deeper into dreams. Therefore, the dream hierarchy cannot possibly be a dimensional hierarchy.
The root cause is that a dimensional hierarchy always has a starting point. A minimum dimension, such as 0 dimensional. But the text explicitly states that dreams can descend infinitely and there is no lowest dream level.
The fact that dimensions have a starting point can also be clearly seen from the differentials in Grassmann algebra, where serves as the starting basis element.
Next, let's look at Toh Enjoe's expanded descriptions of dreams.
First, examine this passage from the beginning of the novel:
In the first three parts of this passage, IT dreams in different places and sometimes in the abyss of the sea, sometimes high in the sky, sometimes deep underground. But after each of these three descriptions, the following phrase is added:
Translated, this means "even now, it is dreaming there."
This clearly implies that at the same time, across different spatial points, different dreams are taking place. Different IT exist in different locations, experiencing different dreams.
Then, a rather peculiar kind of dream appears, though this dream narrative also has a starting point.
Look at the first sentence:
As written here, the starting point is IT dreaming of the past. This is entirely different from the later infinite hierarchical structure of both endlessly awakening and endlessly descending into deeper dreams.
The original text then continues: dreaming of the future in the past, and in the future, dreaming of dreaming of the future in the past. For it, the "present" is the aggregate of all dreams in which past and future intertwine, exhausting all possibilities.
This can be understood as a collection of dreams that exhaust all possible pasts and futures. Dreaming of the past is the starting point; from this past, it dreams of the future, and from there, everything unfolds.
We can contrast this dream description with a previous one:
Here, IT is neither in the past nor the future and it is dreaming at the "bottom of time."
It should be noted that all the above descriptions related to dream structures appear before the description of infinite dream layers.
Thus, let's summarize the overall expansion of dream-related structures:
The first three sentences of the novel state that IT dreams at different spatial points. Then, along the timeline, it is sometimes in the past, sometimes in the future, and finally, it exhausts all possibilities of interwoven pasts and futures. Before this, there is also mention of dreaming at the "bottom of time"—a place outside the timeline. After all this, the author further expands the dream hierarchy, introducing the description of infinite dream layers.
Here, we see an expansion process: from space → to time → to all possible pasts and futures (including the "bottom of time," a place outside time) → and finally, to infinite dream layers.
Finally, let’s discuss the two directions of dreams and their meanings:
Regarding the two directional descriptions of the infinite layers of IT, one is infinitely upward (awakening), and the other is infinitely downward (descending deeper into dreams).
The infinite upward direction clearly corresponds to evolutionary ascent. However, the infinite downward direction requires further explanation.
If an infinite upward direction implies something originally below ascending upward, then an infinite downward direction implies something already above, looking down from a perspective that transcends, descending into the depths of dreams. It does not need to evolve; what evolves are the IT within the dreams. The awakening of these ITs within the dreams corresponds to an upward evolution. However, these dreams are ultimately impossible to awaken from (決して醒めることのできない夢). This means that no matter how infinitely the ITs inside the dreams evolve, they can never reach the transcendent being that exists outside. Such an IT is not attained through evolution, an evolution simply cannot reach it, as it already resides at a higher plane from the beginning.
Thus, dreams can be viewed from two perspectives: one as an upward evolutionary hierarchy, and the other as a downward hierarchy of a transcendent being.
Therefore, while at the Omega Point it remains at L1-A, tearing through the Omega Point elevates it to 1-A.
The IT that continuously awakens within dreams reaches 1-A+.
And the IT that serves as the dreaming entity transcends all dreams. No matter how many times the lower-level ITs awaken, this entity never truly awakens—it remains an existence they can never reach. This places it at least at H1-A.
High 1-A+ Dreams
Let’s first examine this passage:
The main point here is to illustrate which universes are possible.
Among these are the following two sentences:
First, this line:
Means: Like an encyclopedia that jumbles together legends from all times and places.
Then this line:
At first glance this might seem odd because the same word 時代 appears twice, but it is not a printing error—this is a reduplication in Japanese.
時代時代 actually means “each era” or “every age.”
Next, 空想科学小説 appears. What is 空想科学小説 exactly?
We see that it is a translation of “science fiction,”
Thus, the meaning of the original sentence is:
A pictorial guide of the “theories” appearing in the science-fiction novels of each era.
The original text then lists some examples and finally concludes:
This means: Those universes were possible, but they did not exist simply because their existence was not chosen.
In other words, the theories appearing in the science-fiction novels of every era are possible universes. The legends and tales from all times and places are also possible universes and they do not currently exist only because they were not selected to exist.
Now let’s look at this paragraph:
Earlier it was stated that possible universes do not exist because they were not chosen.
But here the description changes:
あらゆること means “everything.” and 起こりえて means “can happen.”
Thus, the meaning of this sentence is that: In that place, everything can happen.
This implies that all those things which were possible but not selected earlier, whether the theories from each era’s science fiction or the fantasy stories from all times and places can now occur.
The author goes even further in the following text:
Here, 想像可能なあらゆること means “everything that can be imagined.”
So the whole sentence means:
Even if everything imaginable happened simultaneously, it would no longer be surprising.
To summarize:
This cosmology shifts from a state where universes exist selectively to a state where everything is possible. Everything imaginable, be it the fantasy tales from all ages or the theories from each era’s science fiction can happen. Considering that Toh Enjoe himself is a science-fiction writer, this is quite intriguing.
@That_moron2 @GodzillavsRayquaza @Planck69 @TyranoDoom30
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