They can be real without being multiverses.
when creating a story, the setting of that story is duplicated, aka the locations and events that exist in it. In the case of this picture, the universe, the garden of light (because mipple ran away from it), and the zone of darkness (as the reason why she ran away from it) are duplicated. Only the dark king and the queen of light are not duplicated, because they exist in a single copy in all the worlds. + Pisard (as well as any other villain, given that he is the weakest) can pull elements of the story into reality.
about mirrors-mirrors duplicate the world behind them
, and in a recursive situation, the recursive nature of the worlds is duplicated. and it is possible to enter them. Additionally, the destruction of a mirror leads to the destruction of the world behind it, which is why Nagisa and Honoka panicked and had to be rescued.
stories can also contain full-fledged mirror recursions
The novel about the princesses mentions the Orimuru forest, where all the stories exist, including the story of the Precure.
The entire Orimuru Forest is a giant library, with stories from all over the world written on the trunks, branches, twigs, and leaves of the trees. ...A soft, glowing pink leaf fell in front of me. I gently picked it up and saw the story of the warriors who protected the world from Disdark (the forces of darkness) -- Cure Flo, Cure Mermaid, Cure Twinkle, and Cure Scarlet.
and each story is a separate world, and the Orimuru forest exists in each of the stories,and inhabitants of stories have their own stories
"In Pumpkin Kingdom, things have life. That's why diaries have their own wills and stories. But I heard that in your world, things only exist as objects."
*Nikaido: After a fun movie ends, if there's a bonus epilogue or side story, it gives you the joy of thinking, "I can see the rest of the movie!" I thought it would be great to link the Refi dolls, and after the long story has concluded, connect it to a dream-like bonus story in the medium-length feature film... like that, a bridge between the medium-length features. If you dig deep into Refi's setting, there might be some parts that make you go "huh?" (laughs), but I hope you can watch it with the feeling that it's a dream, but not a dream.
Zago: Refi is a doll made by Pamplururu's mother, so maybe her mother created the entire world of Pumpkin Kingdom (laughs). Maybe her mother is a god?*
It is also worth noting that the authors equate this with divine powers.
plus, according to the plot, the night pumpkin, being the main villain in the story that came after the mother sewed the toy, tried to absorb the entire orimuru forest, but he tried to push the precures out of the world because they belonged to a higher reality, and he couldn't interact with them from the inside, as he was just a story to them (even though the precure' story was also in the orimuru forest, just like Refi's story, despite the differences between them).
Happy planned to destroy the Joker's world with a single attack in her base form, and the Joker knew she could do it, so he stopped her... using the random monster of the week.
In novel this worlds was explained as perfect copies of reality:
*Thanks to the Joker's power, we were trapped inside the "Lazy Ball." Inside the "Lazy Ball," there was no pain or suffering; it was a world where we could simply play and live our lives lazily, and we lost sight of ourselves.
Is the world we live in now the real world? Have the five of us really lived ten years since then? Perhaps we're trapped in a world like the "Lazy Ball," fooling ourselves into thinking we've become adults?
Suddenly, I was reminded of "The Butterfly Dream," a story from my Japanese textbook. Zhuangzi dreamed he was a butterfly, flying around happily. However, upon waking, he suddenly realized: Was he dreaming he was a butterfly, or was he dreaming that the butterfly was having a dream? I don't know which is true. Is the me living right now the real me? How can I be sure this isn't a dream?
I once borrowed a specialized book on virtual reality from your brother's bookshelf and read it. According to this theory, the world we live in may be a virtual reality constructed by someone. The universe may be a prison simulated by an intricate program, and we may be prisoners living inside it. At the very least, there is no basis for denying that this is not the case. Is it really true that this entire world is a fiction?*
In mahotsukai,Muho was stated as:
*Labu) Beyond all earthly reason—
The power to freely control immense energy*
And owners of muho are
"This is common to all of Muhou's followers, but Director Mitsuzuka's comment that they are 'beyond human understanding' made me think of gods and demons, so I gave them something similar.
and this is despite the fact that people in the pre-curriculum are very close to the theory of everything, one of the hypotheses of which is the mathematical universe hypothesis.
In fresh novel was that:
Angel Peach was wandering "inside" the Great Demon Fist. She was not inside the physical body, but rather a microcosm, or perhaps an alternate dimension, a chaotic, pitch-black darkness with no up, down, left, or right. The vibrations reminded Peach that this was not a microcosm or an alternate dimension, but "inside" the Great Demon Fist. Inside the chaotic Great Demon Fist, Angel Peach was at a loss. Finding Kentaro without any clues in this infinitely expanding space that felt like the universe would be like finding a one-yen coin in the desert.
By the way,here's mentioned term
microcosm. Thats universe inside soul/heart. And microcosm is purest copy of all universe,and allows to restore macrocosm from total erasing,including all others microcosms(what girls in star twinkle did).
here is an example of how the energy of the heart is described in hugtto:
--Another distinctive feature is that when you put force into a punch or kick, a sparkling effect appears on their hands and feet.
Zago: That's the light of Asupawawa. Just as Asupawawa overflowed from Hana's heart, allowing her to transform, when the PreCure unleash their powers, Asupawawa overflows. I also think that sparkle makes it easier to convey the feeling of being carried away. I used it in the first episode, which I directed, and since then, the directors of each episode have used it at key moments.
Sato: It's a power that comes from the heart, so it's okay if it overflows a little!
Zago: That's right, the higher it gets, the more it flows infinitely. Since it's the power of the heart, I gave it the feel of a small heart with flares and rays of light. Since it's the counterpart to Togepowera, I had the cinematographer test it several times and adjusted it to make it look sparkly and beautiful.
and most importantly, all these infinities, universes in hearts, and potentials of souls are in a state of nothingness (in the manga, Hikaru was restored from the void by creating a big bang, but the one she needed was specific to her. Considering that she created
something from nothing, the quantitative definition of this
something is irrelevant in this context, as it is purely a qualitative matter.
Of course, I've also missed out on a lot of the context with the memories that allow you to pull out even boss-level creatures, dreams, the inclusion of certain fragments of cosmology in others (like a story set in a dream or a mirror world in a story), and so on. I haven't explained the mechanics of the future and possibilities, or the conceptual entities (Refrain, being the spirit of the present, captured Miraclun, who was the spirit of the future, completely erasing the future as a concept, causing the world to become stuck in a single day. by depriving him of all possibilities, which even affected the hugtto, who had already fought and defeated the one who intended to destroy all possibilities by stopping time), and the fact that all this mechanics of the future and possibilities is contained in the chronosto, and both time travel and travel to worlds without time are part of the transcendent chronology that he embodies, and for him it is all one. and supreme is even higher than this, and for her, the very fact of everything below her is meaningless
To be fair, seeds don't become plants without help.
that's why life is important for seed growth, because a planet without life is a piece of stone (although the concept of
life in precure is very vague, because toys, stones, objects, and even the concept of life itself are primary to light and darkness, meaning that the hypothetical proto jikochu is alive, and the queen of light is alive.
Except they almost did it without him.
not quite. they found his soul and awakened it, and he let them go. and after that, they restored the earth
I think by "world", they mean "planet", since that's all Supreme's shown targeting, and there aren't parts of Samarian, for example.
usually in precure, the word "world" refers to the setting, including all the events. So, for example, the world of Refi's story is the entire cosmos in her story, the forest of stories, and the evil that seeks to consume them. And the planets are depicted as planets. Supreme erased the entire cosmology of precure and then recreated it as she saw fit.
Almost 5 am now
