DC Comics is surging in the comic book markets and taking the tops spots while Marvel Comics is being edged out by its direct competition.
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What a shocker, who knew that doing anything besides pushing power scaling slop works?
To be fair, DC Comics has made a great judgement call by creating the DC Absolute Universe, so the readers who like grim and gritty stories, that reflect the reality that many everyday people who are struggling against an overwhelmingly oppressive oligarchy/totalitarian absolutely ruthless social-Darwinian inequality are dealing with, can get what they prefer, whereas readers like myself, who are perfectly aware of that reality, but prefer fun and imaginative aspirational bright hope, kindness, and decency from their entertainment can enjoy the traditional DC Universe instead without Dan Didiot overwriting it with mindless grimdark slop again.
It is a best of both worlds situation.
Or as Da3ggman put it:
They went back to the basics by reimagining the classics
Whereas in Marvel Comics by comparison, most of the stories are either an incoherent mess, or populated with completely unlikeable realpolitik-endorsing protagonists, with Hickman's Krakoa storyline in particular doing irrepairable harm to the entire X-Men brand by turning them into hardcore villain protagonists. It is not remotely heroic to offhandedly accept people who are as bad as or worse than Hitler, Stalin, and Mengele onto your team, be overpowered ultramilitant supremacists, and still pretend that you are being oppressed by all the powerless regular people. That is not love and progressive tolerant leftism, it is hatred and extremely far right fascism.
I also find that Hickman, Gillen, Starlin, and others have gradually largely turned Marvel in general into an anti-aspirational borderline morally nihilistic incredibly uninteresting horror show mixed with obsessive power-tripping. But hey, at least Al Ewing is trying to fight against the tsunami of sheer awfulness and bad writing, and Kamala Khan is likeable enough among the newer characters, but every time Ewing builds something constructive or wonderful, hack or malevolent writers keep tearing it down and turn everything awful again instead.
