- 15,660
- 7,296
Two things before anything else.
Anyway, I'm a big fan of Godzilla, and that includes the (rather divisive) Godzilla: Singular Point. The intersection of giant monsters, weird theoretical physics, and esoteric philosophy is right up my alley. So when I heard there was a novelization that fleshed things out even more, I was instantly interested. I do have a copy thanks to a local Japanese import bookstore, but as it's (unsurprisingly) entirely in Japanese, I've greatly appreciated this blog and the efforts gone through to post scans and translations. This is to say the information I'm going off of is the same information everyone here has, so if there's something I don't know, I'm all ears.
Godzilla's page currently lists the entity's true form as 1-B due to connection to countless higher dimensions. However, this explanation is also surrounded by multiple statements of reality-fiction transcendence, which to my understanding has now been accepted as a greater jump than that between dimensions/1-A, since my time here. Obviously I'm not the first one to bring this up, because the note at the bottom of the page says this:
"While Godzilla has statements of r>f transcendence, there are statements that imply that he is on about the same level of existence as the rest of the red dust creatures, which are explicitly connected to mathematical dimensions (such as the Kumonga, who are connected to countless dimensions), which would contradict the requirements for the 1-A rating. Additionally, the connection between "It" and the universe was severed by humans understanding and utilizing the archetype molecules, which are produced by "It," meaning that the difference between them is quantitative, not qualitative."
Not having read the novel, the first sentence made me go check the translation blog, assuming the Kumonga quote would provide the clear cut image of dimensional limitation. But I don't really think it does. There are three separate translations of that passage, copying from the blog.
Of course, there's still the second half of the disclaimer, which states "Additionally, the connection between "It" and the universe was severed by humans understanding and utilizing the archetype molecules, which are produced by "It," meaning that the difference between them is quantitative, not qualitative."
But if humans specifically needed something produced by Godzilla's true form to sever its connection to the universe, that isn't really an anti-feat, nor is it something that actually disproves qualitative superiority. In fact, there are multiple pages currently rated as High 1-A with similar situations.
For example, there's the Leviathan from The Unwritten, who is very blatantly High 1-A. Yet the Leviathan can be seriously injured or even killed by beings that are essentially fiction to it, with the example given of when Pullman used Tom Taylor to almost do just that. The Leviathan's own power being used against it is not treated as something that delegitimizes its rating.
Similarly, the Flash currently has a High 1-A environmental destruction rating in large part due to the Deep Change, which is the source of the Speed Force, perceiving reality as an endless series of emanations that it dreams. But the page also includes scans that make reference to how the Deep Change was hurt and nearly murdered by its own creations, which was once again done via exploiting a connection to it.
In fact, the reasoning for the Deep Change being High 1-A is almost exactly the same as something mentioned on Godzilla's page, which is also included in the translation blog.
"Across the sandy beach, I saw something made of a combination of wood and stone. It was dreaming in the depths of the sea. It is still dreaming. It was dreaming only in the sky. It is seen even now. It was watching in the depths of the earth. It is seen even now. [It] was dreaming in the hand of time. It was dreaming of the past, dreaming of the future in the past, and continuing the dream of dreaming of the future in the past in the future. (If there was something that could be called the present for "it," then it was present for "it. If there was anything that could be called the present, it would be a collection of all steps, an amalgam of the past and the future, intertwined as much as they pleased and as much as they could be. It knew its beginning and its end, the beginning of its end, the end of its beginning, the end of its end, and the beginning of its beginning, but even these beginnings and endings were merely ordinary components of itself, not regarded as special memories or knowledge in any way. It was just there. It was constantly beginning its own beginnings, ending its own endings, finishing its own beginnings, and beginning to finish its own endings. No two recurring streams were the same, and the slightest flicker in the stream would lead the dream in a completely unexpected direction. In front of "It" was the beach of Hayao Village in 1954. It was waking from a dream, waking from a dream, and dreaming the dream again. It was a dream within a dream, and then a dream within a dream, and then a dream within a dream. The repetition was endless, no matter how far it went, and since what it was seeing could never be unraveled, it could be said to be an evil that could not be entered into."
If the Deep Change can be High 1-A for perceiving reality as an endless repetition of dreams after exploiting a connection to the Speed Force nearly killed it, I don't see how the same should not apply to "It" when all that's said in the disclaimer is that exploiting a connection to Archetype severed its connection to the universe. Even if Godzilla Ultima's true self was damaged by this, such an extreme caveat still doesn't seem like it would deny it a spot in the High 1-A range based on precedent already set by other pages.
Of course, as I already mentioned, I have not translated any of the rest of the book myself and am going solely by what is publicly available here. If there is something more blatant or consistent that counters the R>F provided here, I'd be happy to see it and just have more context. Regardless, I hope we can make the justification on the page a little clearer, as if the R>F does end up being completely illegitimate, it probably shouldn't be listed so prominently in the tiering justification.
- For anyone who knows me and may ask, no, I'm not back. I just wanted to discuss a particular page that interested me.
- Excuse any mistakes I make in the structuring of this thread because I'm now old as hell and haven't done this in forever.
Anyway, I'm a big fan of Godzilla, and that includes the (rather divisive) Godzilla: Singular Point. The intersection of giant monsters, weird theoretical physics, and esoteric philosophy is right up my alley. So when I heard there was a novelization that fleshed things out even more, I was instantly interested. I do have a copy thanks to a local Japanese import bookstore, but as it's (unsurprisingly) entirely in Japanese, I've greatly appreciated this blog and the efforts gone through to post scans and translations. This is to say the information I'm going off of is the same information everyone here has, so if there's something I don't know, I'm all ears.
Godzilla's page currently lists the entity's true form as 1-B due to connection to countless higher dimensions. However, this explanation is also surrounded by multiple statements of reality-fiction transcendence, which to my understanding has now been accepted as a greater jump than that between dimensions/1-A, since my time here. Obviously I'm not the first one to bring this up, because the note at the bottom of the page says this:
"While Godzilla has statements of r>f transcendence, there are statements that imply that he is on about the same level of existence as the rest of the red dust creatures, which are explicitly connected to mathematical dimensions (such as the Kumonga, who are connected to countless dimensions), which would contradict the requirements for the 1-A rating. Additionally, the connection between "It" and the universe was severed by humans understanding and utilizing the archetype molecules, which are produced by "It," meaning that the difference between them is quantitative, not qualitative."
Not having read the novel, the first sentence made me go check the translation blog, assuming the Kumonga quote would provide the clear cut image of dimensional limitation. But I don't really think it does. There are three separate translations of that passage, copying from the blog.
- "They see the universe, including this world, in various ways with their multiple eyes. The antennae extending from their bodies were connected not only to the three dimensions of length, width, and depth that make up this world and one flowing dimension but also to the countless dimensions that extend orthogonally to them. They were exploring the surface of the earth and, at the same time, exploring the ocean of possibilities."
- "Their tentacles extending from their bodies were not only connected to the three dimensions of length, width, and depth that make up this world, as well as the flowing fourth dimension, but they were also intersecting with countless other dimensions. While exploring the surface of the earth, they were simultaneously active, probing the seas of all possibilities."
- "The tentacles extending from their bodies were not only connected to the three dimensions of height, width, and depth that make up this world, as well as the dimension of flow, but also to countless other intersecting dimensions. They explore the surface while simultaneously delving deeper into the sea of all possibilities."
Of course, there's still the second half of the disclaimer, which states "Additionally, the connection between "It" and the universe was severed by humans understanding and utilizing the archetype molecules, which are produced by "It," meaning that the difference between them is quantitative, not qualitative."
But if humans specifically needed something produced by Godzilla's true form to sever its connection to the universe, that isn't really an anti-feat, nor is it something that actually disproves qualitative superiority. In fact, there are multiple pages currently rated as High 1-A with similar situations.
For example, there's the Leviathan from The Unwritten, who is very blatantly High 1-A. Yet the Leviathan can be seriously injured or even killed by beings that are essentially fiction to it, with the example given of when Pullman used Tom Taylor to almost do just that. The Leviathan's own power being used against it is not treated as something that delegitimizes its rating.
Similarly, the Flash currently has a High 1-A environmental destruction rating in large part due to the Deep Change, which is the source of the Speed Force, perceiving reality as an endless series of emanations that it dreams. But the page also includes scans that make reference to how the Deep Change was hurt and nearly murdered by its own creations, which was once again done via exploiting a connection to it.
In fact, the reasoning for the Deep Change being High 1-A is almost exactly the same as something mentioned on Godzilla's page, which is also included in the translation blog.
"Across the sandy beach, I saw something made of a combination of wood and stone. It was dreaming in the depths of the sea. It is still dreaming. It was dreaming only in the sky. It is seen even now. It was watching in the depths of the earth. It is seen even now. [It] was dreaming in the hand of time. It was dreaming of the past, dreaming of the future in the past, and continuing the dream of dreaming of the future in the past in the future. (If there was something that could be called the present for "it," then it was present for "it. If there was anything that could be called the present, it would be a collection of all steps, an amalgam of the past and the future, intertwined as much as they pleased and as much as they could be. It knew its beginning and its end, the beginning of its end, the end of its beginning, the end of its end, and the beginning of its beginning, but even these beginnings and endings were merely ordinary components of itself, not regarded as special memories or knowledge in any way. It was just there. It was constantly beginning its own beginnings, ending its own endings, finishing its own beginnings, and beginning to finish its own endings. No two recurring streams were the same, and the slightest flicker in the stream would lead the dream in a completely unexpected direction. In front of "It" was the beach of Hayao Village in 1954. It was waking from a dream, waking from a dream, and dreaming the dream again. It was a dream within a dream, and then a dream within a dream, and then a dream within a dream. The repetition was endless, no matter how far it went, and since what it was seeing could never be unraveled, it could be said to be an evil that could not be entered into."
If the Deep Change can be High 1-A for perceiving reality as an endless repetition of dreams after exploiting a connection to the Speed Force nearly killed it, I don't see how the same should not apply to "It" when all that's said in the disclaimer is that exploiting a connection to Archetype severed its connection to the universe. Even if Godzilla Ultima's true self was damaged by this, such an extreme caveat still doesn't seem like it would deny it a spot in the High 1-A range based on precedent already set by other pages.
Of course, as I already mentioned, I have not translated any of the rest of the book myself and am going solely by what is publicly available here. If there is something more blatant or consistent that counters the R>F provided here, I'd be happy to see it and just have more context. Regardless, I hope we can make the justification on the page a little clearer, as if the R>F does end up being completely illegitimate, it probably shouldn't be listed so prominently in the tiering justification.